795 Will Tosh and Queer Shakespeare (Revisited)
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This episode of The History of Literature revisits the legacy of Ray Bradbury through his iconic origin story involving a mysterious carnival performer named Mr. Electrico, a figure who allegedly inspired Bradbury to 'live forever' and begin his writing career. The narrative then transitions into a deep exploration of William Shakespeare's queer sensibilities, featuring a conversation with Will Tosh, head of research at Shakespeare's Globe Theatre. Tosh argues that while we may never definitively know whether Shakespeare was gay in a modern sense, his work unmistakably reflects a profound engagement with queer desire, intimacy, and same-sex relationships—particularly evident in the sonnets and plays like As You Like It and Twelfth Night. He challenges the notion that discussing Shakespeare's queerness is anachronistic, emphasizing that early modern culture allowed for expressive forms of male friendship, theatrical cross-dressing, and classical literary influences that normalized queer emotional and erotic experiences. The episode critiques historical censorship of Shakespeare's sonnets and celebrates the growing scholarly consensus that queer desire was both present and artistically vital in Shakespeare’s world. Tosh’s new book, Straight Acting, aims to bring this rich academic discourse to a general audience without jargon, framing Shakespeare as a queer artist whose work continues to resonate across time and identity. Key takeaways include: 1) Shakespeare’s sonnets and plays contain unmistakable queer themes that were actively suppressed or edited by later editors; 2) Queer desire in the Elizabethan era was not monolithic—there were spaces of expression in friendship, theatre, and classical literature; 3) The fear of prosecution for sodomy was real but rarely enforced, allowing room for cultural and artistic exploration; 4) Modern interpretations of Shakespeare should not be seen as imposing new ideas, but as uncovering long-suppressed truths; 5) The Globe Theatre and its research team are actively working to make Shakespeare’s work inclusive and relevant to contemporary audiences. The episode ends with a hopeful note about the future of the podcast, returning to a bi-weekly release schedule after a break.
Shakespeare’s sonnets and plays contain powerful queer themes that were actively censored or edited by later publishers.
Queer desire in Elizabethan England was not solely defined by sex but included intense emotional and romantic bonds between men.
Theatrical practices like cross-dressing and male-only casts created spaces for queer expression and energy.
The criminal law against sodomy was rarely enforced, allowing for a degree of cultural freedom despite religious stigma.
Modern directors and audiences should feel empowered to explore queer interpretations of Shakespeare without historical guilt.
Ray Bradbury’s Origin Story: The Search for Mr. Electrico
“I'm glad you're back in my life. I said, what do you mean? I don't know you. He said, you were my best friend outside of Paris in 1918. You were wounded in the Ardennes and you died in my arms there. I'm glad you're back in the world.”
The Myth and Legacy of Mr. Electrico
The episode explores the historical mystery of Mr. Electrico, examining whether he was real or a mythologized figure. It highlights how Bradbury’s personal testimony, though unverified, carries profound emotional and cultural weight, and how the search for him has become a symbol of lost wonder.
Shakespeare’s Queer Sonnets and the Censorship of Desire
“It's only really in the 20th century and beyond that scholars came to the summit with a kind of opener or more open mind about their complexity, their obscurity, their misogyny.”
Will Tosh on Queer Desire in Elizabethan England
“I think human feeling has a history and I think the feelings I feel as a gay man and a gay scholar are fine comparison in the past, they do.”
The Limits of Historical Censorship and the Power of Art
Tosh explains how the Buggery Act was rarely enforced, allowing space for queer expression in art and culture. He contrasts this with the later 18th-century backlash that sought to erase Shakespeare’s queerness, showing how cultural values shift over time and how art outlives censorship.
“I'm glad you're back in my life. I said, what do you mean? I don't know you. He said, you were my best friend outside of Paris in 1918. You were wounded in the Ardennes and you died in my arms there. I'm glad you're back in the world.”
“I think human feeling has a history and I think the feelings I feel as a gay man and a gay scholar are fine comparison in the past, they do.”
“It's only really in the 20th century and beyond that scholars came to the summit with a kind of opener or more open mind about their complexity, their obscurity, their misogyny.”
Host
Guest
William Shakespeare
person
Will Tosh
person
Ray Bradbury
person
Mr. Electrico
person
The Sonnets
other
Shakespeare's Globe Theatre
organization
Richard Barnfield
person
As You Like It
other
The Buggery Act
other
Twelfth Night
other
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