TBG 75 - Damn Yankees
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The 1958 musical *Damn Yankees* isn’t just a fantasy about selling your soul for a baseball career—it’s a self-aware, gloriously absurd takedown of the very idea that a man’s worth can be measured in home runs and headlines. Hosts Ellen Adair and Eric Gildey dissect the film through the lens of the 20-to-80 scouting scale, revealing that while it dazzles with Bob Fosse’s choreography and Gwen Verdon’s electric performance as Lola, it collapses under the weight of its own contradictions: a celebration of baseball that shows only eight real game moments, a devil who pays for phone calls and picks out suits like a mid-level executive, and a central character, Shoeless Joe Jackson, who never existed in the film’s world—yet is treated as a mythic figure. The hosts expose the film’s deep-seated misogyny, from the degrading 'old girl' moniker to the passive, waiting-wives trope in 'Empty Chair,' while still finding joy in its zany energy, deadpan humor from Smokey, and the haunting visual poetry of Joe Hardy’s home runs unfolding in rapid-fire head turns. Despite its narrative flaws and outdated gender dynamics, the film endures not as a baseball classic, but as a campy, theatrical fever dream where the real magic isn’t in the contract—it’s in the performance. What makes *Damn Yankees* truly unforgettable isn’t its plot logic, but its emotional and artistic risks: Ray Walston’s Mr.
The film’s central soul-selling premise undermines its realism, making it a fantasy that can’t fully commit to being a baseball story.
Despite featuring real MLB players like Mickey Mantle and Gil McDougald, the film shows only 8 actual baseball moments, scoring low on 'amount of baseball'.
Mr. Applegate’s devilish persona is surprisingly human—paying for phone calls, picking out clothes, and needing a cab, making him more relatable than terrifying.
Gwen Verdon’s performance as Lola is a masterclass in comedic timing, physicality, and theatricality, especially in the 'Miss West Indies' scene.
Ray Walston’s portrayal of Mr. Applegate is a standout—dry, professional, and subtly chaotic, comparable to Kevin Spacey or Hugo Weaving.
…and 3 more takeaways available in PodZeus
Intro: The Devil’s Deal and the 20-to-80 Scale
The hosts introduce the podcast's unique format: grading baseball movies using the 20-to-80 scouting scale. They set the stage for *Damn Yankees*, a 1958 musical about a fan who sells his soul to the devil to become a star player.
The Devil’s Bargain: Joe Boyd to Joe Hardy
The hosts unpack the film’s central premise—Joe Boyd making a deal with Mr. Applegate to become Joe Hardy. They question the logic of the escape clause and the physical transformation of Joe, noting the lack of clarity in how the contract is broken.
Baseball Accuracy: Real Players, Fake Moments
The hosts critique the film’s baseball authenticity, noting that while real players like Mickey Mantle appear, the actual baseball action is minimal and stylized. They question the realism of Joe’s 524 batting average and 600-foot home run.
The Shoeless Joe Paradox: Fiction vs. History
The hosts debate whether Shoeless Joe Jackson exists in the film’s universe. They conclude that the film’s casual reference to him as a legendary figure is a narrative error, especially given the real-life scandal and the film’s 1958 release date.
Integration and Race: The Senators’ 1954 Moment
The hosts explore the historical accuracy of the Washington Senators’ integration in 1954 with Cuban-born Carlos Paula. They highlight the team’s racist practices and the irony of a film released in 1958 being set in a world where integration was still new.
“is just, it's a real club sandwich of misogyny bread. It's not all bread. But they're keeping slices of bread in the middle.”
“It's Joe Hardy. It's got to be Joe Hardy. I mean, he can field. He can hit dingers. He looks like Tab Hunter.”
“to be the weirdest thing in any baseball movie. And I say that because I think that it is weirder than the hat song.”
Hosts
gwen verdon
person
damn Yankees
media
ray walston
person
ellen adair
person
eric gildey
person
tab hunter
person
bob fosse
person
washington senators
other
jean stapleton
person
shoeless joe jackson
person
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