#522: Minnesota Not-So-Nice, Pt. 2 — Normal
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In this follow-up to their discussion of Fargo, the hosts of The Next Picture Show dive into Ben Wheatley's 2026 film Normal, positioning it as a dark, genre-shifting inversion of the Coen Brothers' classic. The film, starring Bob Odenkirk as Ulysses, a temporary sheriff in the seemingly idyllic town of Normal, Minnesota, unfolds in three distinct acts: a slow-burn character study, a chaotic action sequence, and a farcical finale involving a Yakuza cover-up. The panel debates whether the tonal whiplash works, with mixed reactions—Scott Tobias finds the first act sluggish and the middle act a hollow John Wick imitation, while Tasha Robinson and Genevieve Kosky appreciate the eerie quiet and subtle social commentary of the opening. Keith Phipps highlights the film’s central irony: a town that appears 'Minnesota Nice' on the surface is, in fact, a deeply corrupt conspiracy. The discussion turns to themes of late-stage capitalism, performative community, and the absurdity of the plot, particularly the town’s militarized police force and the implausible inciting incident. Despite its flaws, the hosts acknowledge Odenkirk’s restrained performance and the film’s clever final twist. The episode closes with a recommendation for the Fargo TV series, particularly seasons two and five, and a playful exchange about hats, social media, and the hosts’ personal projects.
Normal is a genre-hopping film that shifts from quiet character study to violent action to farcical deception, creating a jarring but intentional tonal contrast with Fargo.
The film uses 'Minnesota Nice' as a satirical mask, revealing a town that appears wholesome but is actually a criminal conspiracy built on corruption and fear.
The film’s biggest weakness is its narrative inconsistency—key plot points like the bank robbery and the Yakuza’s role lack logical coherence, undermining the stakes.
Odenkirk’s performance as Ulysses is a standout, offering emotional depth amid the film’s chaotic structure.
The film’s violence is repetitive and lacks the emotional weight of Fargo’s, relying more on spectacle than consequence.
…and 3 more takeaways available in PodZeus
Sponsor: Regal Unlimited & The Next Picture Show
The episode opens with a promotional segment for Regal Unlimited, a movie subscription service that pays for itself in two visits. The hosts promote the service using the code NextPick26 for 15% off, emphasizing its value for fans of the podcast who want to watch the films discussed.
Introducing Normal: A Dark Mirror to Fargo
The hosts introduce Normal, directed by Ben Wheatley, as a genre-defying film that contrasts sharply with Fargo. They outline the film’s structure—three acts shifting from quiet introspection to violent action to farcical deception—and set up the central theme: a town that appears idyllic but is built on criminal conspiracy.
Act I: The Quiet Town and the Slow Burn
“I wish we could have kind of sat in the mystery of what was happening in this town for longer than we did.”
Act II: The Bank Robbery and Action Chaos
“It's just like, all right, we're just watching people shoot guns for the next 45 minutes, I guess.”
Act III: The Farcical Cover-Up and Final Twist
“That's kind of a clever little twist and something that a movie like this could do and get away with.”
“It's just the most AI written piece of BS internet content ever is probably 10,000 words long.”
“The film wants to kind of back away from anything interesting that it brings up. It says, wait a minute, whoa, we're almost getting into something here. We gotta tiptoe away.”
“You know, like if this had been some all powerful mega corporation that was pulling the strings, you know, like I could see that idea having a little more meat on the bone.”
Hosts
Fargo
media
Normal
media
Tasha Robinson
person
Genevieve Kosky
person
Keith Phipps
person
Scott Tobias
person
Bob Odenkirk
person
Ben Wheatley
person
Yakuza
organization
The Next Picture Show
media
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