#519: Past Imperfect, Pt. 1 — A History of Violence
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In this episode of The Next Picture Show, hosts Scott Tobias, Keith Phipps, and Tasha Robinson dive into David Cronenberg's 2005 thriller *A History of Violence*, exploring how the film interrogates the nature of identity, violence, and the enduring weight of the past. The discussion centers on Viggo Mortensen’s dual role as Tom Stahl, a seemingly ordinary diner owner in rural Indiana, and Joey Cusack, a violent mob enforcer from Philadelphia whose past resurfaces when a diner robbery forces him to reveal his true self. The hosts unpack the film’s subversion of genre conventions—its downplayed, almost sheepish violence, its refusal to glorify action, and its unsettling psychological depth. They examine how the revelation of Tom’s past fractures his family, particularly his wife Edie and son Jack, whose responses range from visceral disgust to sudden, violent assertiveness. The episode also delves into the film’s complex portrayal of sexuality and power, especially in the controversial stairway sex scene, which is read as both a moment of emotional reckoning and ambiguous consent. The hosts reflect on Cronenberg’s thematic preoccupations—identity, transformation, and the porous boundary between mind and body—while noting how the film, despite its pulpy premise, feels deeply personal and unsettling. They contrast it with Cronenberg’s more overt body horror works and speculate on its connection to later films like *Eastern Promises*. The episode concludes with listener feedback on a previous pairing of *Project Hail Mary* and *Sunshine*, with fans expressing disappointment that *Sunshine* wasn’t discussed more deeply. The hosts acknowledge the oversight but defend their choice based on narrative depth and thematic resonance. They also address criticism of the film’s scientific inaccuracies, attributing them to cinematic choices rather than the source material. The episode ends with a teaser for next week’s discussion of *The Drama*, a modern film about a relationship unraveling over a secret from the past, continuing the theme of hidden histories and emotional rupture.
Violence in *A History of Violence* is not glorified but downplayed and unsettling, forcing audiences to confront their own complicity in consuming violent narratives.
Tom Stahl’s transformation from Joey Cusack is not a simple mask but a profound, ongoing identity struggle—suggesting that who we are is shaped by both our past and our desire to become someone new.
The film’s most powerful moments occur when the family’s emotional and physical responses to the truth—like vomiting, sudden aggression, or ambiguous sex—reveal the fragility of their constructed normalcy.
Cronenberg uses the small-town setting as a stage for moral and psychological collapse, contrasting the quiet, domestic life with the sudden intrusion of brutal, inescapable history.
The stairway sex scene is not about rape or consent in a literal sense, but a visceral exploration of how trauma, identity, and intimacy collide when a partner’s true nature is revealed.
…and 2 more takeaways available in PodZeus
Sponsor: Regal Unlimited
The episode opens with a promotional segment for Regal Unlimited, a movie subscription service that pays for itself in two visits. Listeners are encouraged to sign up via the Regal app or website using code NEXTPIC26 for 15% off and 10% off concessions.
The Past Isn't Done with Us
The hosts introduce the episode’s theme: how the past continues to shape the present, especially in long-term relationships. They begin with lighthearted banter about petty domestic habits—like toilet paper orientation and recycling cardboard tubes—setting up a contrast with the heavier themes to come.
Introducing A History of Violence
Tasha introduces the week’s film pairing: David Cronenberg’s *A History of Violence* (2005) and the upcoming *The Drama* (2026). The hosts explain how both films explore relationships threatened by a hidden past, with *A History of Violence* focusing on Tom Stahl’s violent past resurfacing after a diner robbery.
The Diner Sequence and the Myth of the Hero
“It's not a horror movie, but there is kind of horror movie shock and sort of willingness to go to the gory places, the gory aftermath of violence in a way that not all thrillers with the same basic plot outline would go to.”
Who Is Tom? Who Is Joey?
“I don't think he's one of those things or the other. Like, I think everybody's history informs them. Everybody, you know, hence the title of History of Violence.”
“I think it's kind of amazing. It's one of those unforgettable scenes. And not just that, but to me part of what happens on the stairs is we see in that first scene with the cheerleading outfit that Edie likes being in control...”
“I don't think he's one of those things or the other. Like, I think everybody's history informs them. Everybody, you know, hence the title of History of Violence.”
“It's not a horror movie, but there is kind of horror movie shock and sort of willingness to go to the gory places, the gory aftermath of violence in a way that not all thrillers with the same basic plot outline would go to.”
Hosts
A History of Violence
media
Scott Tobias
person
Tasha Robinson
person
Keith Phipps
person
Viggo Mortensen
person
David Cronenberg
person
Maria Bello
person
Ed Harris
person
William Hurt
person
The Drama
media
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