The Panel with Richard Pamatatau and Penny Ashton, Part 2
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In this vibrant continuation of the RNZ panel show, Penny Ashton and Richard Pamatatau engage in a mix of heartfelt reflection, policy discussion, and cultural commentary. The episode opens with Penny celebrating her mother’s 80th birthday and honoring her lifelong dedication to unpaid community service, from PTA leadership to church newsletter production. This sets a tone of gratitude and civic virtue, which transitions into Richard’s enthusiasm for in-class poetry exams that revealed students’ profound critical insight—proof, he argues, that when given space, young people can astonish with creativity and depth. The conversation then pivots to urban planning, with economist Dr. Eric Crampton advocating for pricing on-street parking to manage scarcity, proposing tradable resident parking passes as a fair and market-sensible solution. The panel debates the idea’s feasibility, acknowledging challenges like public transport gaps and political resistance, while affirming its potential to reduce congestion and incentivize alternative parking solutions. Later, the show shifts to a lighter, personal note with a 'musical artist I should like but don’t' segment, featuring candid confessions from Wallace, Julian, Penny, and others about their resistance to artists like Taylor Swift, Nick Cave, and David Bowie—highlighting the subjectivity of taste. The episode closes on a touching note with Warren Richardson of 'Have A Chat,' a Picton food cart that doubles as a listening space for people in crisis, emphasizing empathy, non-judgment, and human connection in a fast-paced world.
Volunteering and community service, especially unpaid roles, are vital and often underappreciated forms of civic contribution.
When students are given space and proper training, they can deliver extraordinary insights—especially in close reading and creative analysis.
Pricing on-street parking through tradable resident passes can efficiently manage scarcity, reduce congestion, and respect existing homeowners’ rights.
Cultural taste is deeply subjective—disliking a popular artist doesn’t reflect failure, but personal resonance and emotional connection.
Simple acts of listening—like those offered at 'Have A Chat'—can be transformative for people experiencing isolation or crisis.
…and 2 more takeaways available in PodZeus
Honoring a Life of Service
“She never saw a committee that she didn't want to be on. And none of that was paid.”
Students Reveal Hidden Brilliance
“If you give them the space to show you how smart they are, how creative they are, then they are going to blow you away.”
Solving the Parking Crisis with Pricing
“It turns new developments next door from being a threat to my ability to find a car park to being people who might pay me a lot of money for something that I don't really value that much.”
The Subjectivity of Musical Taste
Panelists share personal struggles with liking artists they feel they 'should' enjoy—Taylor Swift, David Bowie, Nick Cave, and others—emphasizing that taste is deeply personal and not a measure of worth.
Have A Chat: Listening as a Radical Act
“We don't judge. We're there to listen.”
“If you give them the space to show you how smart they are, how creative they are, then they are going to blow you away.”
“It turns new developments next door from being a threat to my ability to find a car park to being people who might pay me a lot of money for something that I don't really value that much.”
“She never saw a committee that she didn't want to be on. And none of that was paid.”
Hosts
Guests
Penny Ashton
person
Richard Pamatatau
person
Wallace
person
Dr. Eric Crampton
person
Warren Richardson
person
David Bowie
person
Have A Chat
organization
Julian
person
Picton Foreshore
place
Taylor Swift
person
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