Tariq Ashkanani on The Hollow Boys: Crime, Horror and Dark Small-Town Secrets
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Tariq Ashkanani, author of the gripping crime-horror novel *The Hollow Boys*, joins Philippa Hall on *Quick Book Reviews* to dissect the eerie atmosphere and psychological tension that define his work. Set in a decaying Appalachian town haunted by a coal mine fire and a chilling mystery of missing boys, the novel blends procedural crime with creeping supernatural dread. Ashkanani reveals his deep affinity for small-town settings, character-driven horror, and the visual storytelling inspired by *True Detective*. He candidly discusses the emotional toll of balancing a day job as a solicitor with his writing ambitions, the guilt that comes with treating creativity as 'fun' rather than work, and the terrifying prospect of turning his passion into a full-time career. The conversation also touches on the slow pace of traditional publishing, the power of immersive formats like *Night Film*, and the surprisingly pivotal role of drumsticks—specifically, sticky, chewy ones—during his writing sessions. At its core, the episode is a meditation on how darkness, both literal and emotional, shapes compelling fiction. Ashkanani’s journey from unpublished writer to award-winning author is marked by two defining moments: seeing his book on a physical bookstore shelf for the first time and winning the McElvany Award for *The Midnight King*. These milestones underscore the profound emotional weight of recognition in a solitary craft.
The Hollow Boys blends crime and horror through a small-town setting where a coal mine fire looms like a ticking clock, amplifying the psychological dread.
Ashkanani’s writing is deeply visual, inspired by *True Detective*’s cinematic pacing and dialogue-driven storytelling.
Seeing your book on a physical bookstore shelf is a career-defining moment for many authors, symbolizing validation and tangible success.
Balancing a day job with writing creates guilt and imposter syndrome, making it harder to treat writing as legitimate work.
The slow pace of publishing—often five years from draft to shelf—can be a major barrier for emerging authors.
…and 3 more takeaways available in PodZeus
Opening: Spy Rumors and Book Reviews
Philippa opens with a humorous anecdote about being mistaken for a spy by new neighbors, then reviews three very different books: the twisty legal thriller *Dissection of a Murder*, the genre-blending horror romance *Bloom*, and the nostalgic children’s classic *The Magic Faraway Tree*.
Dream vs. Nightmare Writing Locations
“If I had someone throwing up in my house, I would lock my door from the inside and stay hidden away. That is not my skill set at all.”
The Psychology of Writing and Guilt
“I don’t see it the same and I know that’s wrong, but psychologically I struggle to view my writing days as kind of almost as important as my working days.”
The Hollow Boys: Setting, Themes, and Genre
“I want the setting to be as important a character as the characters are. I want that to influence what the characters do and how they feel.”
The Art of Horror and Storytelling
Tariq defends the inclusion of dark themes, arguing that it’s not the content but the approach that matters. He praises *The Death of Us* for its emotional depth over sensationalism and shares his belief that horror and crime are two sides of the same coin.
“Stick free, stickiness free. Oh, it's just been fascinating to talk to you and learn more about the Hollow Boys.”
“If I had someone throwing up in my house, I would lock my door from the inside and stay hidden away. That is not my skill set at all.”
“I don’t see it the same and I know that’s wrong, but psychologically I struggle to view my writing days as kind of almost as important as my working days.”
Host
Guest
The Hollow Boys
book
Philippa Hall
person
Tariq Ashkanani
person
The Midnight King
book
Dissection of a Murder
book
Bloom
book
The Magic Faraway Tree
book
True Detective
other
Adventures in Publishing Land
media
McElvany Award
other
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