Nina Lee Aquino on "getting her teeth kicked in" for theatre
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In this episode of Q with Tom Power, acclaimed Filipino-Canadian theatre artist Nina Lee Aquino reflects on her groundbreaking career and the premiere of her new eco-thriller play, Cicadas, at the National Arts Centre in Ottawa. Aquino shares how her journey in theatre began at age six through a school musical, and how a pivotal moment during her university studies—when she searched for 'Asian Canadian drama' in a library database and found zero results—spurred her to create change. She co-founded Fujin Theatre Company and edited influential anthologies to make Asian-Canadian stories visible. Now as the first woman of colour artistic director of English Theatre at the NAC, she speaks candidly about the emotional toll of being 'the first'—a role that often means being the first to 'get your teeth kicked in'—yet she remains resilient, driven by a deep belief in theatre as a transformative, empathetic force. She discusses how Cicadas, originally an audio production, evolved into a live stage experience to explore climate anxiety through visceral, imaginative storytelling, avoiding didacticism in favor of emotional resonance. Aquino emphasizes theatre’s enduring power in a digital age, arguing that its immediacy and communal nature are irreplaceable by AI or streaming.
Being the first in a field often means facing disproportionate criticism and emotional strain—'I’ve got a whole shelf of dentures ready.'
Theatre is alchemy: a fusion of magic and science that fosters empathy and cultural understanding.
To make change, you must create what’s missing—Aquino’s library search led her to build Asian-Canadian theatre from the ground up.
Art about urgent issues like climate change should inspire, not lecture—focus on emotional truth over didactic messaging.
Theatre’s power lies in its liveness and immediacy, a quality no AI can replicate.
…and 3 more takeaways available in PodZeus
Welcome to Q and the World of Cicadas
Tom Power introduces the episode with a teaser about the new eco-thriller play Cicadas, setting the stage for Nina Lee Aquino’s story and the themes of mystery, environment, and transformation.
The Library Moment That Changed Everything
“If this doesn't exist, then how can I exist? You know, when I graduate, what, who do I, I'm invisible.”
From Library to Legacy: Building Asian-Canadian Theatre
“I’m not just the first. I’m the first to get my teeth kicked in.”
Cicadas: From Audio to Stage
“I kinda did it on a dare. Yeah! Let's do it. And I think we're better for it.”
Theater as Alchemy and Cultural Medicine
“Theatre is alchemy. You know it's the highest form of magic and science put together.”
“If this doesn't exist, then how can I exist? You know, when I graduate, what, who do I, I'm invisible.”
“I’m not just the first. I’m the first to get my teeth kicked in.”
“I’m used to it. But what people don’t know, it's like, yes, you might be the first again, the door to the wall, you know, but you're also usually the first to get your teeth kicked in.”
Host
Guest
Theatre
other
Tom Power
person
Nina Lee Aquino
person
Cicadas
other
National Arts Centre
organization
Fujin Theatre Company
organization
Asian-Canadian Drama
other
Factory Theatre
organization
Aquino
other
CBC
organization
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