Charlotte Cornfield cried when she heard Feist's vocals on her song
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In this episode of Q with Tom Power, Charlotte Cornfield opens up about her sixth album, 'Hurts Like Hell,' her journey as a mother, and the emotional weight of creating music after a year and a half of solo parenting. Cornfield shares how the birth of her daughter Odette and the transition to daycare created the space and emotional fuel for her most introspective work yet. She discusses her collaboration with producer Philip Weinrobe, whose 'no BS' approach—no demos, no overdubs, just live-in-the-room recording—mirrored Neil Young’s ethos and resulted in an intimate, authentic sound. The highlight of the conversation is Cornfield’s tearful reaction to Feist’s vocals on the track 'Living In It,' a moment that crystallized her lifelong admiration for the artist. Cornfield reveals how a chance connection through a touring moms’ group chat led to Feist’s involvement, and how hearing her voice on her own song felt like a dream come true. The episode closes with Cornfield reflecting on the raw, cinematic detail in her songwriting, particularly in 'Bloody and Alive,' a song that captures the overwhelming, wordless moment of holding her newborn for the first time.
Motherhood created a powerful emotional reservoir that fueled Cornfield’s most personal album yet.
Working with producer Philip Weinrobe’s 'no BS' philosophy—live recording, no overdubs—produced a deeply authentic and intimate sound.
Feist’s involvement on 'Living In It' was a career-defining moment, born from a chance connection in a touring moms’ group chat.
Cornfield’s songwriting thrives on specific, filmic details that make emotional moments tangible and universal.
The album’s title, 'Hurts Like Hell,' reflects both the pain and beauty of life’s most intense experiences.
Introduction to Charlotte Cornfield and Her New Album
Tom Power introduces Charlotte Cornfield as a critically acclaimed but under-the-radar Canadian artist who has just signed with Merge Records and released her sixth album, 'Hurts Like Hell,' her first since becoming a mother.
Motherhood as Creative Fuel
“I found my first windows of writing when we had some grandparents nearby. But I really wrote the kind of main chunk of this record after my daughter started daycare.”
Working with Producer Philip Weinrobe
“We put together a sort of dream band of people and no one in the band heard a note of any of the songs before day one of the session.”
The Feist Collaboration: A Dream Come True
“I was in a parking lot behind a pizza place in Hamilton just listening to it. Again, crying. I couldn't put it together for a second that that was her voice on my song.”
The Power of Detail and Emotional Honesty in Songwriting
Cornfield reflects on her process of writing with cinematic precision, using specific details to convey universal emotions. She closes the interview with a raw moment of emotion while discussing 'Bloody and Alive,' a song about holding her newborn for the first time.
“I was in a parking lot behind a pizza place in Hamilton just listening to it. Again, crying. I couldn't put it together for a second that that was her voice on my song.”
“I'm bloody and alive and I'm holding you for the first time. Like that in and of itself is like enough of a thing to say.”
“We just get into a room. We're the horse, man. We get into a room. And we just make it.”
Host
Guest
Charlotte Cornfield
person
Tom Power
person
Feist
person
Philip Weinrobe
person
Neil Young
person
Odette
person
Merge Records
organization
CBC Podcasts
organization
Buck Meek
person
Ben Johnson
person
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