Val McDermid 2007-10-15
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In this engaging episode of the Poisoned Pen Podcast, host Barbara Peters interviews acclaimed crime writer Val McDermid, discussing her award-winning debut novel *The Mermaid Singing* and her evolution as a writer. McDermid recounts the surreal moment the story came to her while driving on the motorway, describing it as a 'gift from the gods' that demanded immediate transcription. She delves into the novel’s innovative dual narrative—combining a police investigation with the killer’s own diary—highlighting her intention to subvert the typical serial killer thriller by making it a true whodunit. The conversation explores her meticulous research, including a pivotal visit to a museum of medieval torture in San Gimignano, Italy, which provided chilling inspiration. McDermid reflects on the psychological toll of writing from the killer’s perspective and contrasts her own squeamishness with the dark imagination required for such work. She also discusses her journey from Scottish state school to Oxford, her early career in journalism, and how those experiences shaped her crime fiction, including the creation of journalist protagonist Lindsay Gordon and private investigator Kate Brannigan. The episode concludes with a thoughtful exchange on her role as a book reviewer, where she balances honesty with empathy, especially when reviewing friends’ work, and celebrates the growing cross-cultural exchange between British and American crime fiction.
Write the most emotionally difficult sections (like a killer's diary) in one intense burst to maintain voice consistency and reduce psychological strain.
Use real-world research—like visiting a museum of medieval torture—to ground dark fiction in authentic detail and avoid gratuitous violence.
The best crime fiction balances graphic content with narrative function, avoiding titillation and treating victims as real people.
A writer’s personal history—geography, class, education—can deeply inform their voice and thematic choices.
Journalism teaches discipline: the ability to write 1,500 words daily, regardless of mood, is a crucial skill for professional writers.
…and 2 more takeaways available in PodZeus
Introduction and the Birth of The Mermaid Singing
“It was so vivid. I thought, I have to write this down right now or I'm going to lose it.”
The Dual Narrative: Whodunit Meets Serial Killer Thriller
“It's kind of a serial killer thriller that's also a whodunit.”
Research and Inspiration: The Museum of Medieval Torture
“The objects themselves were often very, very beautiful... You look at them and if you didn't know what they were, you would say, what a marvelous piece of engineering.”
Writing from the Killer’s Perspective: Psychological Toll
McDermid discusses the emotional difficulty of writing the killer’s diary, describing it as a 'very uncomfortable place to be.' She wrote it in a single, intense burst to maintain consistency and protect her mental state.
From Scotland to Oxford: A Journey of Escape and Identity
McDermid shares her upbringing in Kirkcaldy, Scotland, and her determination to escape the insular culture of Fife by attending Oxford. She recounts being rejected by her school but persisting to gain admission at age 16.
“Because you're a practitioner as well, I have to take what you say seriously.”
“It was so vivid. I thought, I have to write this down right now or I'm going to lose it.”
“I can always write 1,500 words a day. It wasn't always going to be 1,500 wonderful words, but once you had 1,500 words down on paper, somebody could go and make them better.”
Host
Guest
Val McDermid
person
The Mermaid Singing
book
Barbara Peters
person
The Poisoned Pen
organization
Tony Hill
person
Carol Jordan
person
Lindsay Gordon
person
Oxford
place
St Hilda's College
organization
Kate Brannigan
person
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