Laurie R King 2007-10-12
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In this special re-interview episode of the Poisoned Pen Podcast, host Barbara Peters reconnects with acclaimed mystery author Laurie R. King, celebrating her return to the spotlight after her novel *Justice Hall in the Middle* propelled her to the New York Times bestseller list. The conversation traces King’s prolific career, from her early days writing *The Beekeeper's Apprentice* to her acclaimed Mary Russell series, which reimagines Sherlock Holmes mentoring a brilliant, Jewish, half-American teenager in the early 20th century. King reflects on her creative process—writing without outlines, treating first drafts as expansive blueprints—and shares how her academic background in theology and Old Testament studies deeply informs her fiction, particularly in books like *A Darker Place* and *Letter of Mary*. She discusses her fascination with the evolution of religious movements, the moral weight of historical injustices—especially the execution of 304 British soldiers during World War I for cowardice—and how she weaves such themes into gripping narratives without preaching. The episode also reveals behind-the-scenes stories, including her battle with Bantam’s art department over a mislabeled hoverfly on the cover of *The Beekeeper's Apprentice*, and her role in completing the serial novel *Naked Came the Phoenix* as the final chapter. King’s unique blend of historical depth, psychological insight, and narrative craft continues to define her work as both literary and deeply human. Key takeaways include: 1) King’s storytelling thrives on intellectual and moral inquiry, using fiction to explore complex ideas like religious legitimacy and wartime injustice; 2) Her writing process is organic and non-linear, relying on a first draft as a raw narrative skeleton to be refined through revision; 3) The Mary Russell series is not just a pastiche but a reimagining of Holmes’s legacy, grounded in historical plausibility and character development; 4) Her work demonstrates that genre fiction can be as intellectually rigorous and emotionally resonant as literary fiction; 5) The importance of a trusted editor cannot be overstated—especially in an era where many authors lack the editorial support needed to polish their work. Overall, the episode reaffirms King’s status as a master storyteller whose books challenge readers to think, feel, and question the world beyond the page.
King’s fiction uses historical and religious themes not as backdrop but as central moral and philosophical inquiries.
Her writing process is non-linear and intuitive—first drafts are raw narratives that become polished through revision.
The Mary Russell series reimagines Holmes not as a relic but as a living, evolving character in a changing world.
She believes in the power of fiction to explore difficult truths without becoming didactic or preachy.
A strong editorial partnership is essential, especially in an age where many authors lack the time and support for thorough editing.
Reintroducing Laurie R. King: From First Interview to NYT Bestseller
“It's because she's so dazzling and her work is so prolific. We just didn't cover it last time, did we?”
Left Coast Crime and the Author’s Fan Connection
King shares her experience as guest of honor at Left Coast Crime, a smaller, more intimate conference compared to larger events like VoucherCon. She describes the enthusiastic fan interactions, the challenges of being constantly recognized, and the joy of engaging in long-form dialogue with readers over a three-day period.
The Mary Russell Series: A Mind Reimagined
“If you have a mind, and a mind is a sort of gender non-specific thing, what would that mind of the great detective look like if it were in a woman instead?”
The Creative Process: Drafting, Revising, and the House-Building Analogy
“The first draft was extraordinary... I wrote the first draft of 400 pages... just under two months, which is a fair old rate, I must say.”
The Power of the Editor and the Perils of Publishing
“She can't write it and I can't analyze it. But together she'll tell me what's wrong and I'll know how to fix it.”
“There's a group in England who are trying to get a blanket pardon, and they still haven't been, including a 17-year-old boy, 17 years old. Drafted. Panicked under months of rolling bombardment, panicked and ran.”
“If you have a mind, and a mind is a sort of gender non-specific thing, what would that mind of the great detective look like if it were in a woman instead?”
“She can't write it and I can't analyze it. But together she'll tell me what's wrong and I'll know how to fix it.”
Host
Guest
Laurie R. King
person
Barbara Peters
person
Mary Russell
other
Sherlock Holmes
other
The Beekeeper's Apprentice
book
Justice Hall in the Middle
book
A Darker Place
book
Bantam
other
Kate
person
Left Coast Crime
other
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