Through loss, Jesmyn Ward will always return to the word
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Jesmyn Ward, the first Black woman to win the National Book Award for Fiction twice, returns to the emotional core of her life in her new essay collection, *On Witness and Respaire*. The book, spanning 17 years of grief and resilience, is anchored by the rediscovered word 'respaire'—meaning fresh hope after despair—a concept that became her lifeline after losing her partner, brother, and grandmother in rapid succession. Ward recounts how, during the isolating depths of the pandemic, she found solace not in escape but in the act of writing, which she sees as a form of resistance and survival. Her journey through trauma—especially the anguish of raising a Black son in America, the erasure of Black lives, and the cyclical nature of loss—reveals a profound belief in storytelling as both witness and healing. She describes how the reclamation of words like 'salvage' and 'savage' by her community embodies a fierce, defiant resilience. Ultimately, Ward argues that returning to the word—through writing, memory, and love—is the only way to survive the unbearable weight of loss and to keep hope alive in a world that often denies Black lives their full humanity.
The word 'respaire'—recovery of hope after despair—became Jesmyn Ward’s anchor during the pandemic and the loss of her partner, brother, and grandmother.
Ward writes to bear witness to Black grief and erasure, believing that storytelling creates empathy and connection across shared pain.
She found deep meaning in redefining 'savage' as a term of resilience, not violence, reflecting her community’s scrappiness and survival.
Raising a Black son in America evokes grief not from fear, but from the knowledge of systemic violence and the fragility of Black life.
Ward returns to Mississippi not out of nostalgia, but because the place, people, and history are essential to her truth and creative integrity.
…and 3 more takeaways available in PodZeus
The Weight of Memory and the Word 'Respaire'
“I was so struck by that idea, right, that there was a word that existed that was the opposite of despair.”
Grief in Isolation: Losing a Partner and the World
Ward reflects on the sudden death of her partner, the father of her children, just before the pandemic lockdown. She describes the crushing weight of grief, the collapse of optimism, and the struggle to remain present for her children while drowning in despair.
Witnessing the World: Protests, Erasure, and Collective Grief
“We see you. Yeah, that was a very overwhelming experience for you.”
The Burden of Raising a Black Son
“When the nurse called to deliver my test results, I was nervous. When she told me I was having a boy, my stomach turned to stone inside me and sank.”
Storytelling as Survival and Legacy
Ward discusses how writing is her way of honoring her brother and preserving stories that might otherwise vanish. She shares how readers have told her her memoir felt like their own story, a powerful testament to the universality of grief.
“They call themselves savages and declare that they have the courage necessary to fight the systems that seek to devalue them.”
“When the nurse called to deliver my test results, I was nervous. When she told me I was having a boy, my stomach turned to stone inside me and sank.”
“I was so struck by that idea, right, that there was a word that existed that was the opposite of despair.”
Host
Guest
Jesmyn Ward
person
Tanya Mosley
person
Mississippi
place
Salvage the Bones
book
National Book Award
other
George Floyd
person
MacArthur Fellowship
other
Hurricane Katrina
other
Sing Unburied Sing
book
Vanity Fair
other
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