Six Degrees of Scores: Episode 3
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In this installment of Six Degrees of Scores, the Cinematic Sound Radio Podcast traces a thematic and musical chain from the 1995 film *Mortal Kombat* to the 2001 sports drama *Madison*, connecting films through composers, actors, and genre. The journey begins with George S. Clinton’s score for *Mortal Kombat* and the iconic techno anthem by The Immortals, then moves to Graham Revell’s orchestral score for *Street Fighter* (1994), starring Raoul Julia in his final role. The chain continues through Julia’s performance in *Addams Family Values*, composed by Mark Shaiman, then to Barry Sonnenfeld’s *For Love or Money* (1993), featuring Michael J. Fox and Gabriel Anwar, whose score by Bruce Broughton stands out despite the film’s commercial failure. Anwar’s career path leads to *Kimberly*, a personal drama about rowing and romance, scored by Paula Doris with contributions from Eric Colvin. The chain concludes with *Madison*, a true-story hydroplane racing film starring Jim Caviezel and featuring a score by Christopher Young and Kevin Kiner, blending heartfelt melodies with powerful orchestral energy. The episode highlights overlooked cinematic scores and the interconnectedness of film music across decades and genres.
The 1995 *Mortal Kombat* film’s legacy is defined more by its techno theme than its original score.
Raoul Julia’s final role in *Street Fighter* (1994) was a pivotal moment in film and gaming crossover history.
Bruce Broughton’s score for *For Love or Money* is a standout example of underappreciated film music.
Paula Doris’ score for *Kimberly* exemplifies how personal storytelling can shape musical sensibility.
Kevin Kiner’s pastoral, Americana-inspired score for *Madison* enhances the emotional core of a true sports story.
Opening the Chain: Mortal Kombat and the Techno Anthem
“It wasn't the music from the score that gained the most interest. It was the title track Mortal Kombat Techno Syndrome written by Belgian music duo The Immortals for the Mortal Kombat The Album that cemented its status as the official Mortal Kombat theme.”
Street Fighter: Orchestral Grandeur and Raoul Julia’s Final Role
“This, of course, is famously Julia's last role as he died after suffering a stroke in 1994.”
From Addams Family to For Love or Money: Barry Sonnenfeld’s Musical Signature
The chain moves through Barry Sonnenfeld’s films, focusing on Mark Shaiman’s flamboyant scores for *The Addams Family* and Bruce Broughton’s standout work in *For Love or Money*.
Gabriel Anwar’s Career Arc: From Romance to Rowing
The episode traces Gabriel Anwar’s journey from *For Love or Money* to *Kimberly*, a film about rowing and emotional complexity, scored by Paula Doris and Eric Colvin.
Madison: A True Story of Hydroplane Racing and Americana Orchestration
“Kiner's contributions was to enhance Young's material into his powerful pastoral Americana-inspired score.”
“It wasn't the music from the score that gained the most interest. It was the title track Mortal Kombat Techno Syndrome written by Belgian music duo The Immortals for the Mortal Kombat The Album that cemented its status as the official Mortal Kombat theme.”
“Kiner's contributions was to enhance Young's material into his powerful pastoral Americana-inspired score.”
“This, of course, is famously Julia's last role as he died after suffering a stroke in 1994.”
Host
Mortal Kombat
media
Raoul Julia
other
Street Fighter
media
Gabriel Anwar
other
The Immortals
other
Bruce Broughton
other
For Love or Money
media
Barry Sonnenfeld
other
Graham Revell
other
Kimberly
media
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