The Flagship Show: Top 25 Scores of the 21st Century - Episode 6 - Scores 10-6
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In this installment of The Flagship Show, host Eric Woods continues his countdown of the top 25 film and television scores of the 21st century, focusing on rankings 10 through 6. He begins with Don Davis' score for *The Matrix Reloaded*, praising its groundbreaking fusion of orchestral and electronic elements, particularly the emotionally charged 'Neo Miraculous' cue and the ambitious unused 'Burley Brawl' composition. Next, Edward Shearmer’s *Sky Captain and the World of Tomorrow* is celebrated as a loving homage to golden age film music, with its rich leitmotif structure and nostalgic style. Bear McCreary’s expansive, thematically dense score for *The Lord of the Rings: The Rings of Power* earns number eight for its massive scale and cultural authenticity. John Powell’s *Solo: A Star Wars Story* is lauded for successfully blending John Williams’ iconic Star Wars DNA with Powell’s own adventurous, New Age-infused style, especially in the Millennium Falcon reveal and the Marauders’ primal theme. Finally, Howard Shore’s *The Fellowship of the Ring* is crowned number six—an enduring masterpiece of thematic development, orchestral color, and narrative depth that redefined modern film scoring. Woods reflects on how these scores have shaped his cinematic listening experience over the years.
Don Davis' *The Matrix Reloaded* score masterfully blends orchestral and electronic elements, creating a unique sonic identity that elevates the film despite narrative flaws.
Edward Shearmer intentionally emulated golden age film music in *Sky Captain*, using paper and piano to honor the compositional traditions of the 1930s and 40s.
Bear McCreary’s *Rings of Power* score is a monumental achievement in television music, featuring over 16 hours of original music with distinct themes for every culture and character.
John Powell’s *Solo* score successfully honors John Williams’ Star Wars legacy while injecting his own adventurous, eclectic voice—especially in the Marauders’ theme and the Falcon reveal.
Howard Shore’s *Fellowship of the Ring* score remains a benchmark in thematic writing, using evolving leitmotifs and cultural instrumentation to create a living, breathing world.
Score #10: The Matrix Reloaded by Don Davis
“Davis' avant-garde minimalist style pairs perfectly with techno influences, giving the film a distinctive musical identity.”
Score #9: Sky Captain and the World of Tomorrow by Edward Shearmer
“Ed intuitively understood what I was going for and took both gloves off with this gigantic score that didn't hold back.”
Score #8: The Lord of the Rings: The Rings of Power by Bear McCreary
“Each theme is carefully crafted with unique instrumentation, melody and emotional intent, allowing characters and factions to feel musically distinct.”
Score #7: Solo: A Star Wars Story by John Powell
“Every time it showed up I always had this silly grin on my face. It was always a joy to hear.”
Score #6: The Lord of the Rings: The Fellowship of the Ring by Howard Shore
“The score works as a parallel narrative. The musical storytelling is so strong that you don't need the film to know what is happening.”
“The score works as a parallel narrative. The musical storytelling is so strong that you don't need the film to know what is happening.”
“Ed intuitively understood what I was going for and took both gloves off with this gigantic score that didn't hold back.”
“The Millennium Falcon reveal absolutely melted me when I saw it in the theater for the first time.”
Host
Don Davis
person
Edward Shearmer
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Bear McCreary
person
Eric Woods
person
John Powell
person
Howard Shore
person
The Matrix Reloaded
media
The Lord of the Rings: The Rings of Power
other
The Lord of the Rings: The Fellowship of the Ring
media
Solo: A Star Wars Story
media
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