Artist Interview | Ian Capstick
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In this episode of 'Who Arted?', host Kyle Wood interviews multidisciplinary artist Ian Kapstick, a self-described 'recovering pundant' and creator of quilted banners that merge political messaging with textile art. Kapstick shares his journey from performing in theater to becoming a creative director in advertising, where he realized the disconnect between commercial work and personal artistic expression. The turning point came during the pandemic, when he began making 'quilty banners'—large-scale, politically charged quilts that reclaim marginalized histories and challenge the hierarchy between 'art' and 'craft.' His work, featured on his podcast 'Art Against Empire,' reinterprets historical protest signs, such as the 1971 LGBTQ+ 'We Demand' banner, using organic cotton to highlight the deep political roots of materials like cotton, tied to slavery and colonialism. Kapstick emphasizes the importance of accessibility, community, and the labor-intensive nature of fiber arts as a form of resistance and remembrance. He also discusses the contrast between his fast-paced, pop-art-inspired communication style and the slow, meditative process of quilting, framing both as essential to his artistic identity. The conversation delves into the social and historical significance of quilting, particularly its role in preserving stories of Black, Indigenous, and queer communities. Kapstick pays homage to foundational female and marginalized artists like Joyce Wieland, Ruth Asawa, and the women of Gee's Bend, underscoring how textile traditions have been passed down through generations rather than institutionalized in academia. He advocates for inclusivity in the art world and encourages newcomers to start with machine sewing, local quilt guilds, or online resources like YouTube. His message is clear: fiber art is not just decorative—it's a powerful, democratic medium capable of deep political and emotional resonance. The episode ends with practical advice for beginners, emphasizing the forgiving nature of fabric and the vibrant, supportive community that surrounds quilting.
Art and craft are not separate—both are valid forms of expression, and the distinction has historically been used to devalue women’s work.
Quilting is a political act: materials like cotton carry histories of slavery and colonialism, and reclaiming them in art is a form of resistance.
The slow, labor-intensive process of quilting offers a meaningful counterpoint to the fast, fleeting nature of digital media and soundbites.
Community and mentorship are central to fiber arts—knowledge is shared openly, making it one of the most accessible art forms.
Beginners should start with machine sewing, join a local quilt guild, or use YouTube to learn—fabric is forgiving, and mistakes can be fixed.
Intro: Welcome to Who Arted?
The episode opens with a promotional segment for the podcast 'Tumble' before introducing 'Who Arted?' and its host, Kyle Wood, who welcomes guest Ian Kapstick.
Origin Story: From Theater to Quilting
Ian Kapstick recounts his journey from childhood performer to advertising creative director, explaining how he discovered his true artistic voice through prop-making and eventually quilting during the pandemic.
Art vs. Craft: Blurring the Lines
“All art is craft and all craft is art to some degree or another. It's living potentially on a spectrum of utility.”
Ethical Boundaries in Creative Work
Kapstick reflects on turning down clients whose values conflicted with his, especially when working with marginalized communities, and how burnout led him to prioritize personal art.
Style and Strategy: Clarity vs. Complexity
“I am not a person who spends hours in front of a painting in a gallery. I have ADHD. Move on, folks.”
“I am not a person who spends hours in front of a painting in a gallery. I have ADHD. Move on, folks.”
“I was once a plant. It says this whole thing was once a plant. And guess what? This tablecloth... is the direct result of the politics that occurred because of this cotton.”
“All art is craft and all craft is art to some degree or another. It's living potentially on a spectrum of utility.”
Host
Guest
Ian Kapstick
person
Kyle Wood
person
Art Against Empire
media
Zach Foster
person
General Idea
other
Joyce Wieland
person
Bisa Butler
person
Ruth Asawa
person
Gee's Bend
other
Brian Geisen
person
Codex Borgia
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TLDR Damien Hirst | The Physical Impossibility of Death in the Mind of Someone Living
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