Episode 146: The Expendables (Audio Commentary)
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In this special 11th-anniversary commentary episode of What's New to Netflix, hosts Miles and James dive into a spirited, humorous, and nostalgic review of the 2010 action film *The Expendables*, now streaming on Netflix. They watch the film in real time, offering running commentary on its over-the-top action, star-studded cast, and dated CGI, while reflecting on the movie’s legacy and cultural context. The hosts marvel at the film’s blend of absurdity and charisma, particularly praising the ensemble of action icons like Sylvester Stallone, Jason Statham, Dolph Lundgren, Bruce Willis, and Mickey Rourke, while poking fun at the script’s quirks, the excessive use of knives, and the implausible stunts. Despite its flaws, they conclude that the film is a fun, self-aware celebration of action cinema tropes and a surprisingly effective launching pad for a franchise that evolved into something more fast-and-furious in tone. The episode also explores behind-the-scenes trivia, including Stallone’s dual role as director and co-writer, the film’s $80 million budget, and its $171 million worldwide box office success. The hosts speculate on the franchise’s future, noting the upcoming Megan Fox-led installment and the possibility of more eclectic casting, even joking about a "Z-grade action" or "wrestler" version. They reflect on the film’s influence and its place in pop culture, ultimately embracing its campy charm. The episode ends with a tease for next month’s lineup, including *Casino*, *The Green Knight*, and *War Machine*, and a playful nod to Nick Cage joining the podcast soon.
The Expendables (2010) is a self-aware, high-octane action film that thrives on star power and over-the-top spectacle, not realism.
Sylvester Stallone’s dual role as director and lead actor helped shape the film’s unique tone, blending personal vision with franchise-building ambition.
The movie’s success was driven by its ensemble cast of action icons, despite uneven dialogue and dated CGI, proving that star power can outweigh production flaws.
The film’s legacy lies in its campy charm and influence on later action franchises, particularly in how it embraced absurdity and character-driven chaos.
Future Expendables films have evolved into more fast-and-furious-style entries, with new stars like Megan Fox and Tony Jaa joining the roster.
…and 3 more takeaways available in PodZeus
Introduction & Anniversary Celebration
“This is year 11 now, if you can believe that, because last year was our 10th anniversary, which we had a special one for.”
Opening Sequence & Cast Reveal
The hosts react to the film’s steampunk-style Lionsgate/Millennium Films intro, the motorcycle gang aesthetic, and the rapid reveal of the star-studded cast. They express surprise at the ensemble and discuss the film’s marketing strategy of selling the movie on star power alone.
Action & Character Dynamics
“It's all about the knife, really. Is he supposed to be drunk? He's always like that. Since like the 80s. Oh. It's just his way. It's just his way.”
Cameos, CGI, and Production Quirks
“I think they relied a little too much on that. But if this was the first movie, they probably didn't have the budget.”
Legacy, Franchise Evolution & Closing Thoughts
“Overall, I'd say pretty fun. It was a little weird though. Like, some of the dialogue just was bizarre, I thought.”
“Well, you could argue that that's actually more Fast and Furious. Yeah, that was. They've literally brought people back to life at least twice in that franchise.”
“It's all about the knife, really. Is he supposed to be drunk? He's always like that. Since like the 80s. Oh. It's just his way. It's just his way.”
“You're back in. It's all good. You just try to kill us. You just destroyed a bunch of cars, tried to kill us. A lot of innocent people probably got hurt, but you're back in.”
Hosts
The Expendables
media
Miles
person
James
person
Sylvester Stallone
person
Jason Statham
person
Dolph Lundgren
person
What's New to Netflix
media
Mickey Rourke
person
Bruce Willis
person
Jet Li
person
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