Classic Rock Remixes picked by Danny Meyers & Ilan Fong
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In this episode of 'What's HOT in the Strip Clubs,' hosts Danny Myers and Alon Fong dive into a curated set of classic rock remixes, blending nostalgia with modern club energy. The duo explores the art and purpose of remixing, arguing that while purists may resist, remixes enhance danceability and adapt older tracks for contemporary club environments. They highlight five remixes from Rock and Roll Hall of Fame 2026 nominees, including a re-drum of Afro Man’s 'Because I Got High,' a gritty Afro House take on Phil Collins’ 'Another Day in Paradise,' and a high-octane remix of Dead or Alive’s 'Spin Me Round.' Tensions arise between the hosts—Danny favors re-drums for groove, while Alon prefers full reconstructions—but their playful debate underscores the DJ’s creative freedom. The episode closes with a heartfelt tribute to DJ Mike D., a legendary remixer and Panda Contributor of the Year, who passed at 44, celebrated for his transformative work across genres and his lasting impact on strip club music culture.
Remixes serve a functional purpose in strip clubs by enhancing beat strength and danceability for older rock tracks.
DJ preferences vary: some favor re-drums for groove, others prefer full reconstructions—both are valid depending on the venue and audience.
Classic rock remixes can honor the original while making songs relevant for modern club environments.
The Rock and Roll Hall of Fame 2026 nominees include surprising names like New Edition and Luther Vandross, sparking debate on genre boundaries.
Tributes to fallen music legends like DJ Mike D. remind listeners of the human stories behind the beats.
Introduction & Purpose of Remixes
Hosts Danny Myers and Alon Fong introduce the classic rock remix episode, explaining why remixes are essential in strip clubs to enhance danceability and energy, despite resistance from purists.
Remix #1: In Excess – One of a Kind (Needs No Sleep Remix)
Danny kicks off with a new wave remix of In Excess’s 'One of My Kind,' praising its modern groove and emotional tone, sparking a brief but friendly disagreement with Alon over remix style.
Remix #2: Kiss – Lick It Up (Mark Roberts Ultra Remix)
Danny surprises Alon with a Kiss remix he personally dislikes, but appreciates the modernized production. Alon criticizes the drum sound but acknowledges the improved bass.
Remix #3: Afro Man – Because I Got High (Re-drum)
Alon presents a re-drum of Afro Man’s viral anthem, noting its popularity in clubs and the need for a consistent beat. He shares a personal anecdote about Dave Chappelle’s influence.
Remix #4: Phil Collins – Another Day in Paradise (Afro House Remix)
Alon selects a soulful Afro House remix of Phil Collins’ classic, praising its emotional depth and club-ready rhythm, while Danny expresses mild skepticism.
“Mike D., gone, lost, never forgotten. You’re a tremendous remixer. We love you, we miss you.”
“You know, Mike D. will never, ever be forgotten. Everybody's still playing his mixes and will probably still be playing them in 20 to 30 years from now.”
“I don't want the buildup. I want the drop. I want the new part of the song.”
Hosts
Alon Fong
person
Danny Myers
person
What's Hot in the Strip Clubs
media
DJ Mike D.
person
Afro Man
other
Kiss
other
Phil Collins
other
Pantheon Podcast Network
organization
Eddie Money
other
Party Pupils
other
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