S16 Ep856: The Departed (2006, W❤️M) EXTENDED PREVIEW
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The hosts of We Hate Movies dive into an extended preview of Martin Scorsese's 2006 crime thriller *The Departed*, discussing its origins as a remake of the Hong Kong film *Infernal Affairs*. They explore how Scorsese approached the remake without watching the original, emphasizing its faithfulness in structure and tone while noting key differences—like the absence of a love triangle. The conversation shifts to the film’s pacing, action elements, and thematic depth, with the hosts debating whether it qualifies as an action movie despite Scorsese’s usual focus on character-driven crime dramas. They highlight Jack Nicholson’s chilling performance as Frank Costello, praising his physicality, eerie presence, and iconic moments like eating a fly. The episode also touches on the film’s real-world locations, particularly the Irish Haven bar in Brooklyn, which holds personal significance for co-host Chris. The hosts reflect on the film’s layered storytelling, moral ambiguity, and the dynamic between corrupt cops and criminals, ultimately celebrating *The Departed* as one of Scorsese’s most electrifying and thematically rich works. Key takeaways include: 1) Scorsese’s deliberate decision to avoid watching the original *Infernal Affairs* to maintain creative independence; 2) Jack Nicholson’s performance as Frank Costello is a masterclass in menace, blending charm, absurdity, and psychological terror; 3) The film’s unique blend of crime drama and action—especially the final shootout—elevates it beyond typical Scorsese fare; 4) Real-world locations like the Irish Haven bar add authenticity and emotional resonance; 5) The film’s pacing, while intense, rewards patient viewing and deep immersion in its morally complex world. The hosts express deep admiration for the film’s craftsmanship and energy, calling it a standout in Scorsese’s filmography.
Scorsese avoided watching the original *Infernal Affairs* to prevent influence, resulting in a bold, independent remake.
Jack Nicholson’s portrayal of Frank Costello is a terrifying, layered performance that blends charm, madness, and physical menace.
The film’s intense pacing and action set pieces—especially the final shootout—make it a rare action film in Scorsese’s canon.
Real locations like the Irish Haven bar in Brooklyn ground the film in authenticity and personal history for the hosts.
The film’s moral ambiguity and dual identity theme (cops and criminals) are central to its enduring power and complexity.
Introduction to The Departed and Its Remake Origins
“Scorsese didn't watch Infernal Affairs before. Kind of didn't even know he was making a remake until he did the movie.”
Faithfulness to the Source Material and Thematic Core
The hosts analyze how closely *The Departed* follows the original, noting structural similarities like the dual undercover agents and the climactic pile of bodies, while acknowledging differences such as the absence of a love triangle.
Jack Nicholson’s Iconic Performance as Frank Costello
“There is a moment in this film where his character kills a fly and then fucking eats it off the table.”
The Film’s Action and Pacing: Is It an Action Movie?
The hosts debate whether *The Departed* qualifies as an action film, weighing the shootout climax and mid-film chase against Scorsese’s usual dramatic focus, ultimately affirming its action credentials.
Real-World Locations and Personal Connections
“I played pool on that pool table. I feel it when you watch this. That's a lingering cabin presence.”
“There is a moment in this film where his character kills a fly and then fucking eats it off the table.”
“Scorsese didn't watch Infernal Affairs before. Kind of didn't even know he was making a remake until he did the movie.”
“This is what I know Nicholson for is the energy man. And this, he fucking rides out like lightning in this fucking movie.”
Hosts
Steve
person
Jack Nicholson
person
The Departed
media
Martin Scorsese
person
Infernal Affairs
media
Irish Haven
place
Matt Damon
person
Leonardo DiCaprio
person
Chris Cabin
person
Ray Winstone
person
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