The new Michael Jackson biopic. Why now?
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This episode of *Today in Focus* examines the release of the new Michael Jackson biopic, *Michael*, and the complex cultural reckoning surrounding his legacy. The film, delayed for years due to legal disputes and reshoots, is positioned as a blockbuster celebration of Jackson's peak fame, ending just before the 1993 Jordan Chandler allegations. Despite a string of one-star reviews and controversy over its sanitized portrayal, the film is being heavily marketed with flash mobs, influencer screenings, and global pop-up events. The episode unpacks the tension between Jackson’s monumental cultural impact—evidenced by Thriller’s 80 million sales and his transformation of music videos—and the decades of serious child sexual abuse allegations, including the 1993 Chandler case, the 2005 trial, and the 2018 *Leaving Neverland* documentary. Contributors Owen Myers and Lanre Bakare explore how Jackson’s troubled upbringing, the grooming dynamics, and the racialized context of Black artists in America have fueled both defense and denial among fans and critics alike. The estate’s strategic monetization of Jackson’s image—through concerts, merchandise, and now the biopic—raises urgent questions about cultural amnesia, the ethics of celebrating artists with contested legacies, and whether the film is a triumph of PR or a symptom of collective denial. Key takeaways include: 1) The biopic avoids all major allegations due to a legal clause from the Chandler settlement, resulting in a sanitized narrative; 2) Jackson’s estate has turned his death into a multi-billion-dollar brand, with the film as its latest cash cow; 3) The gap between the 1990s allegations and today’s release has allowed doubt to creep in, enabling a narrative of 'benefit of the doubt'; 4) Many Black cultural critics defend Jackson not just out of loyalty, but as a response to historical racial injustice and the tendency to vilify Black figures; 5) The film’s success reflects a broader trend of sanitized biopics that celebrate music legends while excising their darker chapters. The episode concludes with a sense of unease: is this celebration of Jackson a tribute to artistry, or a surrender to the commodification of trauma?
The Michael Jackson biopic ends before the 1993 Jordan Chandler allegations due to a legal clause in the settlement, resulting in a sanitized, peak-fame narrative.
The Jackson estate has turned his death into a multi-billion-dollar brand, with the film as the latest monetization strategy.
The time gap between the allegations and the film’s release has allowed doubt and 'benefit of the doubt' to enter public discourse.
Black cultural critics often defend Jackson due to historical racial injustice and the fear of being complicit in the erasure of Black icons.
The film’s marketing campaign is aggressively glossy and lifestyle-focused, avoiding serious media engagement with critics or dissenting voices.
…and 3 more takeaways available in PodZeus
The Biopic Premiere and Public Hype
“I've been waiting for this day since I was about 80 years old, so I had to come as soon as the early previews started.”
The Jackson Estate’s Business Machine
The episode reveals how the Jackson estate has transformed Michael Jackson’s posthumous image into a multi-billion-dollar enterprise, including theme parks, musicals, and merchandise, turning his legacy into a profitable brand.
The Jordan Chandler Allegations and Legal Roadblocks
“The LAPD asked Jordan Chandler to draw by hand Jackson's genitalia... The drawings were put in a sealed envelope and simultaneously Jackson was submitted to a strip search... The pictures matched up.”
The Timeline of Allegations
“He told me if they ever found out what we were doing, he and I. We'd go to jail for the rest of our lives. Secrets will eat you up.”
The Cultural Defense of Michael Jackson
“Why aren't you coming out and decrying him? We're not going to join in. We're not going to do that.”
“The LAPD asked Jordan Chandler to draw by hand Jackson's genitalia... The drawings were put in a sealed envelope and simultaneously Jackson was submitted to a strip search... The pictures matched up.”
“He told me if they ever found out what we were doing, he and I. We'd go to jail for the rest of our lives. Secrets will eat you up.”
“I know exactly what it's going to show me. And it's a story up to the mid 80s where everything's kind of all right and Michael Jackson is the hero.”
Host
Guests
Michael Jackson
person
Lanre Bakare
person
Owen Myers
person
Jordan Chandler
person
Thriller
media
Joe Jackson
person
John Branca
person
Neverland Ranch
place
Leaving Neverland
media
This Is It
media
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