How our memory of war can shape the future
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This episode of Throughline explores how collective and personal memories of war shape national identities and future trajectories. Drawing on the lived experience of Vietnamese-American author Viet Thanh Nguyen, the episode examines the ways in which nations curate their histories through memorials, museums, and media—often erasing or distorting the experiences of the defeated or marginalized. Nguyen reflects on his childhood in a refugee camp, his fragmented memories of the Vietnam War, and his journey to Vietnam as both a tourist and a writer seeking truth. He reveals how both American and Vietnamese narratives of the war are selective, self-justifying, and rooted in victimhood, creating what he calls a 'memory industry' that perpetuates national myths. The episode also draws parallels to contemporary conflicts in Ukraine, Afghanistan, and Iran, illustrating how the world’s attention shifts while the human cost of war lingers. Ultimately, Nguyen argues that true healing requires not just remembering, but achieving 'happy forgetting'—a future built on justice, equity, and the amplification of countless voices rather than a single heroic or tragic narrative.
War memories are not neutral—they are curated by nations to serve national identity and justify past actions.
Both victors and vanquished often erase the complexity of war, turning themselves into victims and others into villains.
The 'memory industry'—museums, films, monuments—shapes how we remember and forget, often excluding the voices of civilians and refugees.
True peace requires 'happy forgetting,' which is not forgetting, but a deliberate, just reckoning with the past.
Individuals like Nguyen, caught between cultures, carry dual identities that challenge simplistic national narratives.
…and 3 more takeaways available in PodZeus
The Weight of Memory
“I used to think it was my re-memory. You know, some things you forget, other things you never do. But it's not. Places, places are still there.”
In the Absence: The Politics of Silence
Nguyen reflects on the silence surrounding trauma in refugee families and the broader absence of Vietnamese narratives in American culture. He discusses how the U.S. memorialized its own losses while erasing the millions of Southeast Asian lives lost, creating a one-sided memory of the war.
Split Brain: The Mirror of Memory
“I wanted to see the world in a more simple fashion of... Americans doing the wrong thing and Vietnamese doing the right thing. And Americans doing the forgetting and the Vietnamese needing to remember. And then understanding that the Vietnamese of all sides have done very much exactly the same processes of exclusion, forgetting, erasure, self-privileging.”
The Memory Industry and Cultural Power
“Apocalypse Now is a movie about the Vietnam War... I think it's a great work of art. I also think it's racist when it comes to Vietnamese people.”
No Happy Forgetting: The Path Forward
“I thought that was actually a moment of hope that these girls would have a different kind of a future. That they would not have to be shadowed by death and by war. And that they could carve out their own lives, hopefully free in some ways from the past.”
“This is not a story to pass on. This is not something that we want to give to another generation, but also this is not a story that we can avoid or ignore.”
“I stood on the side of presence. Facing an absence where the past lived, populated with ghosts, real and imagined.”
“I wanted to see the world in a more simple fashion of... Americans doing the wrong thing and Vietnamese doing the right thing. And Americans doing the forgetting and the Vietnamese needing to remember.”
Host
Guest
Viet Thanh Nguyen
person
Vietnam War
other
United States
place
Vietnam
place
Randa Abdel Fattah
person
Throughline
media
Afghanistan
place
Apocalypse Now
media
Laos
place
Ukraine
place
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