Nadav Lapid's 'Yes!': Israeli director's wartime film raises eyebrows and ire
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In this episode of The Times of Israel's The Real Schmooze, hosts Amanda Borchel-Dahn and Jordan Hoffman dive into the controversial Israeli film 'Yes!' by director Nadav Lapid, which has sparked intense debate both in Israel and internationally. The film, a two-and-a-half-hour stylistic and ideological assault on Israeli society and its war policies, opens with a chaotic, drug-fueled party sequence and follows a disillusioned artist’s journey to compose a militaristic anthem in response to the October 7th Hamas attack. The hosts dissect the film’s provocative elements, including its use of a real-life controversial song adaptation, its fictionalized depiction of a child’s death, and its on-location filming near the Gaza border—raising questions about artistic integrity, political messaging, and the ethics of using real trauma for cinematic effect. While Amanda strongly dislikes the film’s execution, calling it 'atomic oi' and overly long, Jordan acknowledges its boldness and artistic merit, even if it fails to resonate with him personally. The discussion also touches on the film’s funding from the Israel Film Fund, sparking debates among left-wing audiences about BDS boycotts and the paradox of engaging with art from a state they oppose. Beyond the film, the episode explores broader cultural themes: the role of art in times of war, the power of music and performance (highlighting a standout piano duet between Lapid’s wife and the lead actor), and the irony of pairing 'Yes!' with the 1960 pro-Israel epic 'Exodus' for a future episode. The hosts reflect on how both films are unapologetically political—'Yes!' as anti-establishment critique, 'Exodus' as nationalist propaganda—making their back-to-back viewing a powerful commentary on how narratives are shaped. The episode closes with a reminder of the ongoing Israeli holiday season, including Yom HaShoah and upcoming Remembrance Day and Independence Day, underscoring the deep cultural and historical context that informs the film’s reception. Listeners are encouraged to engage with the complex moral and aesthetic questions raised by Lapid’s work.
Nadav Lapid’s 'Yes!' is a deliberately provocative, stylistically intense film that uses chaos and surrealism to critique Israeli society and its war policies.
The film’s use of a real, controversial adaptation of a classic Israeli war song—reworked with lyrics calling for the destruction of Gaza—adds real-world resonance and outrage.
The film was shot near the Gaza border without permits, lending authenticity to its war imagery and sparking debate over artistic risk and ethical boundaries.
Despite its controversial content, the film is not pro-Hamas; it includes scenes showing the horror of October 7th and the psychological toll on survivors.
The film’s funding from the Israel Film Fund has created a paradox for left-wing audiences: they want to support the film’s message but boycott it due to its Israeli institutional backing.
…and 3 more takeaways available in PodZeus
Passover, Easter, and the State of Jewish Entertainment
The hosts open with reflections on recent holidays and listener memories of classic films like 'The Ten Commandments,' setting a tone of cultural nostalgia. They discuss the enduring appeal of religious epics and the idea of watching them in marathon formats, while also introducing the theme of entertainment as a vessel for collective memory and identity.
The Social Media Hate Machine and the Spider-Man Intervention
“Hate is a business. Open, open. You know, don't go to college. Just go online and start screaming about the Jews and other ethnic groups and transgender people. And you will find if you want to do that, you can.”
Deconstructing 'Yes!' — A Film That Provokes and Offends
“If you like this beginning, you may like the film. If like me, you're like, why am I here? You will continue to think that the entire two and a half hours.”
The Real-World Echoes: From Gaza to the Screen
“How dare you take this little girl's memory and twist it like this? How dare you?”
The Paradox of Funding and the BDS Dilemma
“He said, this is the best movie made about Gaza and it's made from the belly of the beast. No, he doesn't say the best movie about Gaza. He says the best movie of the genocide is made by an Israeli.”
“How dare you take this little girl's memory and twist it like this? How dare you?”
“He said, this is the best movie made about Gaza and it's made from the belly of the beast. No, he doesn't say the best movie about Gaza. He says the best movie of the genocide is made by an Israeli.”
“Hate is a business. Open, open. You know, don't go to college. Just go online and start screaming about the Jews and other ethnic groups and transgender people. And you will find if you want to do that, you can.”
Hosts
Yes!
media
Jordan Hoffman
person
Amanda Borchel-Dahn
person
Nadav Lapid
person
October 7th massacre
other
Spider-Man
other
Israel Film Fund
organization
Exodus
media
Shir HaReut
media
Times Square
place
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