HOKUM writer/director Damian McCarthy
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Damian McCarthy, writer/director of the chilling horror film *Hokum*, reveals how a series of formative films shaped his career and creative vision. From the terrifying climax of *Gremlins* that inspired his own suspense sequences to the subtle psychological dread of *The Thing*, McCarthy traces his obsession with horror to childhood memories and the power of sound design. He reflects on how *The Frighteners* taught him the value of ensemble casts and actor-driven performances, while *Evil Dead 2* showed him that a low-budget, contained story could be revolutionary. The original *Ringu* terrified him as an adult, proving that horror doesn't need jump scares to unsettle. But it was *Fight Club*—a film that urged self-destruction—that became his personal catalyst, pushing him to abandon a stable career path and fully commit to filmmaking. He defends the obscure *Alone in the Dark* as a symbol of hidden cinematic gems that may one day be rediscovered. Ultimately, *Blue Ruin* became his final inspiration, proving that a powerful, emotionally resonant film could be made with minimal resources. McCarthy’s journey is one of defiance against convention, embracing obscurity, and trusting that the right movie at the right time can change everything.
The climax of *Gremlins* is the blueprint for every major horror set piece in McCarthy’s films, especially the middle act of *Hokum*.
The Thing’s power lies not in effects but in the subtle, eye-based performances that convey paranoia and betrayal.
Michael J. Fox’s performance in *The Frighteners* was elevated by Jeffrey Combs’ self-invented, full-body character design.
Seeing *Evil Dead 2* daily for three months convinced McCarthy that filmmaking was possible—even on a shoestring budget.
The original *Ringu* terrified McCarthy because it used sound design and ambiguity to create dread, not jump scares.
…and 3 more takeaways available in PodZeus
Introduction and Hocum Praise
Josh Olson and Joe Dante introduce the show and welcome Damian McCarthy, praising his film *Hokum* for its effective horror and Adam Scott’s performance. They discuss the film’s theatrical release and the audience’s visceral reaction.
Gremlins: The Formative Horror Sequence
“It's just that central sequence of the mom under attack in the house that just, I mean, no matter what age I watch it at, it's the same feeling I had as that child.”
The Thing: The Power of the Eyes
“If you watch their eyes, their eyes will kind of drift to them first to realize that they're being talked about. And then their head will follow.”
The Frighteners: Ensemble Genius
“He puts on the whole thing and he's designing all these, you know, because the FBI agent is supposed to have been in and out of cults for years. He's got all these tattoos and, you know, Burns and Marks and all this kind of stuff.”
Evil Dead 2: The DIY Inspiration
“It was just every day I would come home from college, just bored out of my mind reading, you know, studying, you know. basically how to be an electrician did the theory of it which is so which for me was so boring and it was just evil dead 2 was like just a way to kind of wake myself up”
“I completely bombed my final exams then. And I think then I was like, well, I really have nothing to fall back on now. So filmmaking better work out.”
“The reason for that is because I've always said... I think even as a child when I didn't understand that, I go, but is that diegetic? It's like, can the characters hear that or is that part of the score?”
“It was both like, I love the film just from a story point of view and the acting, the way it was directed and shot. But then I was just so inspired by like, okay, well that's it. So this is kind of the final, this has to be like the final push to go do it.”
Hosts
Guest
Hokum
media
Damian McCarthy
person
Joe Dante
person
Josh Olson
person
Gremlins
media
The Thing
media
Evil Dead 2
media
The Frighteners
media
Fight Club
media
Ringu
media
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