The Resurrection of Michael Jackson
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This episode of The Daily explores the surprising cultural and commercial resurrection of Michael Jackson's legacy through a meticulously orchestrated image rehabilitation project led by his estate after his 2009 death. Once a tarnished figure due to decades of child sexual abuse allegations, Jackson's reputation had plummeted to near-zero value—so much so that his estate argued his likeness was worth nothing for tax purposes. Yet, in the wake of his death, a strategic campaign began: releasing the concert film 'This Is It,' launching a Cirque du Soleil show, and producing the Broadway musical 'MJ the Musical,' all of which sanitized his image and focused exclusively on his music and artistry. This carefully curated narrative was nearly derailed in 2019 by the documentary 'Leaving Neverland,' which detailed harrowing accounts from two men who accused Jackson of abuse, reigniting public reckoning. In response, the estate used legal leverage to remove the film from HBO and then pivoted to producing a biopic that entirely omitted the allegations, reshooting the final act to avoid legal pitfalls. The resulting film, while critically panned, became a record-breaking box office success, proving that audiences overwhelmingly prefer a sanitized, nostalgic celebration of Jackson’s music over confronting the messy truth. The episode concludes with a meditation on collective avoidance—how people often choose comfort over moral complexity, allowing the estate’s playbook to succeed not because it’s truthful, but because it’s emotionally easier to consume.
The Michael Jackson estate transformed his posthumous legacy from toxic to profitable through a decades-long, strategic image rehabilitation campaign.
The success of 'This Is It' and 'MJ the Musical' proved that audiences were willing to embrace Jackson’s music and persona when stripped of controversy.
The 2019 documentary 'Leaving Neverland' threatened the estate’s narrative, prompting a legal and creative counteroffensive that ultimately led to a sanitized biopic.
The final biopic avoided all allegations by cutting the controversial final act after discovering a legal clause from 1993 prohibited discussion of the Chandler settlement.
Audiences overwhelmingly prefer a nostalgic, guilt-free celebration of Jackson’s music over confronting the painful truths of his life and legacy.
…and 2 more takeaways available in PodZeus
The Gift That Started It All
The episode opens with a promotional segment about gifting a New York Times subscription, setting a tone of curated connection and shared experience, which subtly mirrors the theme of narrative control in the main story.
The Death of a King and the Birth of a Brand
“By the end of his life, Jackson's had dropped to zero. So that tells you something.”
The First Move: 'This Is It' and the Power of Posthumous Fame
“For applause, fade out. And as Billboard magazine pointed out shortly after that, it became pretty clear that Jackson was worth more dead than alive.”
The Sanitized Era: From Cirque du Soleil to 'MJ the Musical'
“The show is built around this reporter from MTV who's there to interview him at the rehearsals. And this reporter character senses that he has a dark secret and its secret is eventually revealed to be an addiction to pills, which is a completely acceptable rock star vice.”
The Threat: 'Leaving Neverland' and the Reckoning
“After I saw Leaving Neverland for the first time... People like Oprah, an abuse survivor herself, endorsed the film. I tried and tried and tried to get the message across to people that sexual abuse was not just abuse. It was also sexual seduction.”
“It's on all of us to live with the messiness of what Michael Jackson represents. And he said, literally, the work is on us.”
“After I saw Leaving Neverland for the first time... People like Oprah, an abuse survivor herself, endorsed the film. I tried and tried and tried to get the message across to people that sexual abuse was not just abuse. It was also sexual seduction.”
“The version of the movie that they ended up having to make completely elides that and I think it's been to their benefit and it's certainly what a lot of audience members want to see.”
Host
Guest
Michael Jackson
person
Mark Benelli
person
Leaving Neverland
media
John Branca
person
This Is It
media
MJ the Musical
media
The New York Times
organization
Jordy Chandler
person
Cirque du Soleil
organization
HBO
organization
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