Domicide in Homs & Beyond | Architect Ammar Azzouz
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In this powerful episode of The afikra Podcast, Dr. Ammar Azzouz, a research fellow at the University of Oxford and author of *Domicide: Architecture, War and the Destruction of Home in Syria*, reflects on the profound personal and collective trauma of losing one's home during the Syrian conflict. Growing up in Homs—a city long overlooked despite its strategic crossroads between Damascus, Aleppo, and Lebanon—Azzouz recounts the emotional weight of returning after 14 years in exile, only to find a city ravaged by war and urban erasure. He introduces the concept of 'domicide'—the deliberate destruction of homes and domestic life—as a critical lens to understand war’s human toll, contrasting it with the global focus on cultural heritage destruction. Azzouz reveals how the violence against Homs began not just in war, but in the pre-war 'slow violence' of urban redevelopment projects like the Homs Dream, which displaced residents under the guise of modernization. His work, including the 'Slow Violence in the City' project, explores how the city lives on in diaspora through art, memory, and grassroots reconstruction efforts. He critiques top-down, investor-driven rebuilding models, advocating instead for trauma-informed, community-led approaches that honor memory and identity. Drawing inspiration from examples like Coventry’s preserved ruins and Beirut’s Beit Beirut, Azzouz calls for a reconstruction that remembers rather than erases. The episode is a moving meditation on home, memory, and resistance. Azzouz shares five deeply personal places he longed to return to—his university, the Palestinian refugee camp Mukhayyam Al-A'idin, the old city’s Al-Nuri Mosque, the historic clock tower donated by a Syrian Christian woman in Brazil, and his family home—each symbolizing layers of loss, resilience, and belonging. He challenges international institutions like UNESCO to center local voices and reject extractive, apolitical heritage models. Ultimately, the conversation underscores that true reconstruction must begin not with buildings, but with listening, healing, and justice. The episode ends with a poignant reminder: while ancient sites are preserved, the lives of ordinary people—whose homes were destroyed—are too often forgotten.
Domicide—the intentional destruction of homes and domestic life—is a more intimate and devastating form of war than the destruction of cultural monuments.
The violence against Homs began before the war through 'slow violence' like urban redevelopment projects (e.g., Homs Dream), which displaced communities under the guise of modernization.
Reconstruction must be trauma-informed, community-led, and inclusive—centering local voices over top-down, investor-driven models that often benefit the wealthy and erase history.
The city of Homs lives on in diaspora through art, memory, and storytelling; the 'Slow Violence in the City' project documents how Syrians abroad continue to imagine and rebuild their homeland.
Preserving ruins—like Coventry Cathedral or Beirut’s Beit Beirut—can serve as powerful sites of memory, grief, and reconciliation, rather than erasing the past with new, glossy developments.
The Hidden Trauma of Losing Home
“When we hear about any war or conflict, we hear more about the destruction of the cultural buildings. There's this outcry in the world that, ah, this ancient site has been destroyed. But there is less attention towards people's homes.”
Returning to a City in Ruins
“I felt a huge sense of justice and privilege to have a right to return, especially knowing that many millions of people live and die in their exile.”
The Pre-War Violence: 'Slow Violence' in Homs
“This nightmare... became a place of struggle for people who want to stay where they are who want to preserve with what shops they own historically instead of rushing for this dubai dubaisation concept.”
Reconstruction as Power: Who Benefits?
Azzouz critiques post-war reconstruction efforts that prioritize investment over healing, often benefiting the wealthy and foreign investors. He highlights the 'Victory Bolivar' project in Homs as a modern echo of the Homs Dream, sparking protests.
Memory, Healing, and the Future of Homs
“How can we look at the past in a way that it's reflective and in a way that can bring us closer together rather than separating us from each other?”
“How can we look at the past in a way that it's reflective and in a way that can bring us closer together rather than separating us from each other?”
“When we hear about any war or conflict, we hear more about the destruction of the cultural buildings. There's this outcry in the world that, ah, this ancient site has been destroyed. But there is less attention towards people's homes.”
“I try to understand because I knew when I traveled to the most beautiful cities in my life, in my exile, I never felt they compared to my own humble city.”
Host
Guest
Homs
place
Syria
place
Ammar Azzouz
person
Domicide
other
UNESCO
organization
Homs Dream
other
Coventry Cathedral
other
Palmyra
place
Clock Tower
other
Al-Nuri Mosque
other
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