Weeping Bleeding Hearts with David Lowery & Anne Hathaway
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David Lowery and Anne Hathaway reflect on the profound emotional and creative intimacy that defined their collaboration on the film *Mother Mary*, a story centered on silence, vulnerability, and the unspoken. Lowery reveals how the character’s emotional inarticulateness became a narrative engine, forcing him to trust nonverbal communication—especially dance—as the true language of grief. Hathaway shares how playing a woman stripped of voice and agency transformed her understanding of performance, empathy, and the courage it takes to be emotionally raw on screen. They recount the film’s evolution from a 19-hour silent version set in the Faroe Islands to its final form, emphasizing how every creative detour—like the improvised ring-and-undergarment rig or the choreographed dance sequence—was driven by a shared commitment to honoring the moment’s truth over convenience. At the heart of it all: a radical belief that audiences don’t need answers handed to them—they need space to feel, wonder, and be moved by what’s left unsaid. The film, they argue, isn’t about gamesmanship or banter, but about the terrifying beauty of a weeping, bleeding heart. The conversation becomes a meditation on artistic integrity, with Lowery admitting he once feared audiences wouldn’t tolerate a character who was emotionally annihilated for 45 minutes. Yet he trusted Hathaway’s performance and the script’s emotional architecture to earn that journey.
Mother Mary’s silence isn’t a limitation—it’s the film’s central emotional language, forcing communication through dance, posture, and presence.
The 19-hour silent version of the film, set in the Faroe Islands, was scrapped not for practicality but because it was too intense—yet it remains a cherished 'museum piece' in the creators’ minds.
Every on-set improvisation—like the ring-and-undergarment rig—was a sacred act of honoring the creative impulse, even if it disrupted the schedule.
Anne Hathaway found that playing a character who couldn’t speak taught her to listen more deeply, both as an actor and a person.
The dance in the barn is not a performance—it’s a survival mechanism, a way for Mother Mary to reclaim her body and soul when words fail.
…and 3 more takeaways available in PodZeus
The Podcast Moderator’s Dilemma
David Lowery reflects on the discomfort of being a podcast host, contrasting it with his natural role as a director. He misses the freedom to speak in emotional bursts and the nonverbal communication that defines his on-set process.
The Power of Nonverbal Communication
Hathaway and Lowery discuss the deep, wordless connection they shared on set—where a glance, a touch, or a look could convey volumes. They lament that this intimacy doesn’t translate to podcasting.
The Silent Version: A 19-Hour Masterpiece in the Mind
“I do love that version in my head. Yes. In my head. And I think I would like to see it in a museum. It 100% was a museum piece.”
The Creative Spirit: Embracing the Bolt of Inspiration
They recount how on-set improvisations—like the ring-and-undergarment rig for the red fabric—were embraced not as compromises but as creative breakthroughs, driven by a shared belief in the moment.
The Risk of the Unpopular Choice
“I knew I was making a choice that not everybody would understand. And that was to play Mother Mary as so broken, she didn't have any fight left in her.”
“I love weeping, bleeding hearts. They make me feel... They make me feel seen.”
“I knew I was making a choice that not everybody would understand. And that was to play Mother Mary as so broken, she didn't have any fight left in her.”
“I do love that version in my head. Yes. In my head. And I think I would like to see it in a museum. It 100% was a museum piece.”
Hosts
David Lowery
person
Anne Hathaway
person
Michaela Cole
person
Nick Cave
person
Faith, Hope and Carnage
book
Faroe Islands
place
Kesha
person
St. Vincent
person
Rick Rubin
person
A24
organization
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