BUDDY SQUIRES - Cinematographer
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Buddy Squires, the acclaimed cinematographer behind Ken Burns' landmark documentaries and films like *Beyond the Beach*, reveals that his career was forged not in elite film schools, but in a raw, self-directed journey through the Berkeley Film Institute and Hampshire College. He recounts how a chance encounter with a handbill for a film program in 1970s Berkeley led him to a life of immersive, often dangerous documentary work—shooting in Cambodia during the Khmer Rouge era, on the frontlines of war zones, and in the heart of refugee crises. What sets Squires apart is his philosophy: filmmaking is not about control, but about presence. He thrives in the chaos of Verité, where the story unfolds in real time and the camera becomes a silent observer. His approach—using small, handheld gear, embracing imperfection, and prioritizing human connection over technical perfection—has redefined how history is visualized. He argues that the most powerful documentaries aren’t scripted, but discovered, and that the best films emerge from collaboration, risk, and the willingness to be present in the moment, even when it means losing expensive shoes in a mud pit. In a world of overused drones and polished narratives, Squires remains a believer in the raw, the real, and the deeply human. Squires’ work is defined by a relentless pursuit of authenticity. He doesn’t just document history—he reenacts it with a reverence for the physical and emotional truth of the past.
Shoot with presence, not perfection—your job is to be there, not to control the story.
The best documentaries are discovered, not scripted; trust the process of real-time storytelling.
Use small, handheld cameras to blend into the environment and avoid disrupting the moment.
Respect your subjects’ humanity—ask permission, stay out of the way, and let them lead.
Imperfection is often more powerful than polish; lost film rolls and muddy shoes are part of the truth.
…and 3 more takeaways available in PodZeus
Introduction and Sponsor
The episode opens with a warm welcome to Season 2 of Team Deakins, introducing the guest, cinematographer Buddy Squires, and a sponsor read for Aputure's Storm XT52 LED light.
Buddy Squires' Unconventional Path
Squires recounts his journey from early high school graduation to sleeping in his car in Berkeley, stumbling upon the Berkeley Film Institute, and later studying at Hampshire College under mentor Jerome Liebling, which shaped his deep connection to documentary storytelling.
The Birth of a Documentary Vision
Squires reflects on his formative years with Ken Burns and the influence of Verité pioneers like Ricky Leacock and Penny Lane, emphasizing the importance of visual storytelling rooted in historical residue and human experience.
Verité as a Philosophy of Presence
“I don't believe for myself that one makes a good film if you know where it's going when you start. That filmmaking, even in the historical realm, is a process of discovery.”
The Making of 'The American Revolution'
Squires details the challenges of filming a 12-hour series with no surviving photographs, relying on reenactments, creative lighting, and immersive techniques to recreate historical moments with authenticity.
“Bomb, bomb goes boom. You look around, I'm here. I'm not here. Other people are hurt. Get up, go help them.”
“Just don't fuck it up. Just don't fuck it up. Like the soliloquy of Jane is doing this gym. You just got to make that work.”
“I think that our efforts collectively matter a lot. And, you know, the documentary Oscar season series is filled with great films, like really amazing films. 2 ,000 Meters”
Hosts
Guest
Buddy Squires
person
Ken Burns
person
The American Revolution
media
Emergency
organization
Beyond the Beach
media
Gino Strada
person
Jerome Liebling
person
Ricky Leacock
person
Jane Goodall
person
Penny Lane
person
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