568: Eric Rempe on developing infrastructure and curriculum for high schools
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In this episode of Tales of a Red Clay Rambler, host Carter interviews artist and educator Eric Rempe, who shares his decades of experience building high school ceramic programs at Coronado High School in California and Princeton Day School in New Jersey. Rempe recounts the unique opportunity he had to design a state-of-the-art ceramic studio from the ground up, emphasizing workflow, safety, and minimizing clutter to support student movement and focus. He discusses innovative teaching strategies, including the creation of evolving tip sheets for wheel-throwing and trimming, which freed him to engage in deeper creative conversations with students. A central theme is his commitment to the 'zone of proximal development,' helping students embrace frustration as part of skill-building rather than a barrier to success. Rempe also reflects on how his colorblindness shaped his minimalist aesthetic, leading him to focus on form and natural inspiration—such as orchids, bamboo, and vines—over decorative elements. He highlights the transformative power of his curriculum, which fosters personal expression across age groups, from fourth graders using 3D modeling software to advanced high school students exploring concept-driven work. The conversation also touches on Rempe’s role in co-founding the Princeton Pottery Festival, a community event that bridges student learning with professional artistry, offering inspiration and real-world exposure to aspiring artists. Throughout, Rempe underscores the life skills ceramics instill—resilience, problem-solving, and self-expression—making the studio a vital space for holistic development.
Design studio spaces with intentional workflow and minimal clutter to support student movement and safety.
Use reference tools like tip sheets to reduce repetitive questions and free up time for deeper creative dialogue.
Focus on skill acquisition over product outcomes to help students embrace frustration as part of growth.
Leverage technology like 3D printing to meet students where they are, especially those who struggle with traditional hand skills.
Curriculum should evolve from skill-based foundational work to concept-driven, individualized expression in advanced levels.
…and 3 more takeaways available in PodZeus
Sponsorship & Introduction to Eric Rempe
The episode opens with sponsor reads for Monkey Stuff, Cornell Studio Supply, and the Rosenfield Collection, followed by an introduction to Eric Rempe, a veteran high school ceramics educator and co-founder of the Princeton Pottery Festival.
Building the Coronado High School Ceramic Program
“I had done that as a sort of proposed class with them. And then I get this opportunity to design a full program. kind of taking a lot of the research that I'd already done and then scaling it up for a much larger program as opposed to a studio for one.”
Teaching 30 Students at Once: Strategies for Success
“I started a tip sheet for throwing and I just took those, you know, it might have been a half dozen questions that I felt like these are the most common questions. And I put them on this tip sheet and I put it in front of every two wheels so that kids had this reference.”
Curriculum Design: From Skill to Concept
“When I sit down and critique with my advanced students, I feel the projects are most successful when there's no similarity in the work at all. You look around the room and every single kid went in a completely different direction.”
Personal Aesthetic and Natural Inspiration
“I've been most attracted to form that doesn't have any color decoration on the surface because color is just so problematic for me. So if I can keep the forms really, really clean and then the glaze just really, really – like I use this waxy black glaze a lot. And it just is – it sort of highlights the form.”
“I'm not sitting here giving you a grade like, oh, so-and-so couldn't center today. Like I'm looking at your work ethic and your attitude about how you embrace failure.”
“I think seeing that in person and being able to talk to artists and to be able to talk to artists about where their ideas come from, you know, because that's something that I stress a lot with my students about, you know, the work that you make, why are you making that work?”
“If you allow yourself to get frustrated, you're building a wall that you now have to navigate around. You're making it more difficult for yourself.”
Host
Guest
Princeton Pottery Festival
other
Eric Rempe
person
Carter
person
Princeton Day School
other
Coronado High School
other
Tales of a Red Clay Rambler
media
3D printing
other
Chris Staley
person
other
San Diego State University
other
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