Ainehi Edoro, "Forest Imaginaries: How African Novels Think" (Columbia UP, 2026)

NBN Book of the Day1h 2mApril 7, 2026

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AI-Generated Summary

In this episode of the New Books Network, host Morteza Haji Zadeh interviews Dr. Ainehi Adoro, assistant professor of English and African cultural studies at the University of Wisconsin-Madison, about her groundbreaking 2025 book *Forest Imaginaries: How African Novels Think*, published by Columbia University Press. Adoro reimagines African literary history not through a colonial, linear timeline, but through the lens of the forest as a living, intelligent, and generative space that functions as a co-author in African fiction. She argues that forests in African novels are not passive backdrops but active agents that shape narrative, challenge human exceptionalism, and embody indigenous epistemologies. Drawing on works from Chinua Achebe’s *Things Fall Apart* to Thomas Mofolo’s *Chaka* and Wole Soyinka’s and Ben Okri’s later fiction, Adoro demonstrates how the forest enables radical rethinking of power, identity, and time. She also explores the concept of fragmentation not as disorder but as a creative, generative force rooted in Yoruba cosmology, and introduces the idea of the 'aquatic forest' in contemporary African science fiction as a vision of post-human, multi-species futurity. The conversation underscores how African literature uses the forest as a laboratory for world-making and political critique, offering a powerful alternative to Eurocentric models of narrative and modernity. Adoro’s work challenges dominant readings of African fiction by centering indigenous forms and aesthetics, revealing how African novels think in ways that are deeply ecological, cosmological, and formally innovative. She calls for new modes of reading—what she terms 'literary archaeology'—to uncover the hidden structures and political logics embedded in seemingly peripheral spaces like the 'Evil Forest' in *Things Fall Apart*. The episode concludes with a passionate recommendation to read D.O. Fagunwa’s *Forest of a Thousand Demons*, a seminal Yoruba novel that exemplifies the rich tradition of forest narratives in African literature. The discussion is both intellectually rigorous and accessible, inviting listeners to rethink not only African fiction but the very nature of storytelling, space, and the future.

Key Takeaways
1

Reimagine African literary history through the forest as a living, intelligent space rather than a colonial timeline.

2

The forest in African fiction is not a setting but an active agent that shapes narrative, power, and identity.

3

Fragmentation in African storytelling is generative, not destructive, reflecting indigenous cosmologies of renewal and transformation.

4

The 'Evil Forest' in *Things Fall Apart* is a juridical and cosmological threshold, not just a cultural detail.

5

Contemporary African science fiction uses the 'aquatic forest' to envision post-human, multi-species futures and challenge human exceptionalism.

…and 3 more takeaways available in PodZeus

Chapters
0:00
2 min

Audience Survey Announcement

The episode begins with a brief announcement for the 2026 NewBooks Network audience survey, encouraging listeners to participate for a chance to win a $100 gift card to bookshop.org. The survey aims to gather insights on listener demographics, interests, and future content direction.

1:59
2 min

Introduction to the Guest and Book

Host Morteza Haji Zadeh introduces Dr. Ainehi Adoro, assistant professor at the University of Wisconsin-Madison and founding editor of Brittle Paper, and previews her new book *Forest Imaginaries: How African Novels Think*. He highlights the book’s innovative approach to African literary history and invites listeners to take notes on the many novels discussed.

4:19
3 min

Reimagining African Literary History Through the Forest

If we start with the forest, it allows us to begin squarely within indigenous African narratives.

Highlight
7:29
5 min

The Forest as an Intelligent, Goal-Oriented Space

Space in fiction can also be themselves goal-oriented. That they can drive the narrative. That they can define a character.

Highlight
12:19
5 min

Fragmentation as Generative Power

Fragmentation is a power that is against anything that appears as a kind of solidified, immovable form.

Highlight
High-Impact Quotes
Imperialism is actually honestly just the capacity to kill at a very large scale.
Ainehi Adoro38:17
Viral: 92.0
Space in fiction can also be themselves goal-oriented. That they can drive the narrative. That they can define a character.
Ainehi Adoro9:20
Viral: 90.0
Can we imagine a world in which humans are existing in a kind of equal multi-species relationship with other life forms?
Ainehi Adoro54:45
Viral: 89.0
Speakers

Host

Morteza Haji Zadeh

Guest

Ainehi Adoro
Topics Discussed
African Literary History95%Forest as Narrative Agent93%Indigenous Knowledge and Cosmology90%Ecocriticism and Environmental Thought88%Imperialism and Necropolitics87%Fragmentation in Narrative85%African Science Fiction and Futurity83%Post-Colonial Critique80%
People & Brands

Ainehi Adoro

person

15xPositive

Morteza Haji Zadeh

person

12xPositive

Things Fall Apart

book

12xPositive

New Books Network

organization

10xPositive

Chinua Achebe

person

8xPositive

Yoruba Cosmology

other

7xPositive

Forest of a Thousand Demons

book

6xPositive

Chaka

book

6xPositive

Thomas Mofolo

person

5xPositive

Ben Okri

person

5xPositive

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