Melody Jue: Ocean Memory
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In this thought-provoking Long Now Talk, media scholar and scuba diver Melody Jew challenges the conventional understanding of memory by asking whether the ocean itself has memory—not metaphorically, but materially. Drawing from marine biology, literary theory, and sensory studies, Jew explores how oceanic phenomena such as sea ice microbes, coral growth rings, and chemosensory perception in abalone and microbes function as living archives of the past. She argues that the ocean’s memory is not static but dynamic, anticipatory, and distributed across species and ecosystems. Through interdisciplinary collaborations and creative projects like 'Invisible Kelp Forest from Smell to Sound,' Jew reimagines how we might perceive underwater worlds through senses beyond sight, especially smell and touch. The talk culminates in a meditation on the fragility of this memory—how ocean acidification impairs fish’s ability to smell, threatening not just survival but the very capacity to remember. Jew calls for a radical reorientation of human thought, urging intellectual humility and a rethinking of terrestrial biases in science, law, and culture. The Q&A with Dr. Margaret Cohen deepens these themes, exploring how milieu-specific analysis and embodied fieldwork can transform scholarship and foster deeper ecological empathy. Key takeaways include: (1) The ocean is not a passive backdrop but an active, memory-laden entity shaped by microbial, chemical, and sensory processes; (2) Concepts like memory, history, and navigation are fundamentally different underwater, requiring a rethinking of human-centered frameworks; (3) Sensory modalities such as smell and touch are central to oceanic life and offer new ways to understand non-human cognition; (4) Ocean memory is vulnerable—climate change and pollution risk not just ecological collapse but the erasure of deep-time knowledge; (5) Interdisciplinary collaboration across humanities, arts, and sciences is essential for imagining and protecting multi-species futures. The episode leaves listeners with a profound sense of wonder and urgency, inviting them to rethink their relationship with the sea as a living archive of the planet’s past and future.
The ocean functions as a living archive, storing memory in sea ice, microbial genes, and chemical gradients.
Memory underwater is non-linear, anticipatory, and distributed across species, not just individual organisms.
Human sensory biases—especially ocular centrism—limit our understanding of oceanic perception and memory.
Ocean acidification impairs chemosensory abilities in marine life, threatening both survival and memory systems.
Interdisciplinary collaboration between humanities, arts, and sciences is essential for imagining non-human worlds.
…and 3 more takeaways available in PodZeus
The Ocean as a Living Archive
“The ocean covers nearly three-quarters of our planet, and yet we still know less about its depths than we do about the surface of Mars.”
Memory in Sea Ice and Microbes
“Some ocean microbes have held on to this gene for the previous atmosphere feels almost like the attitude of a prepper, the kind of person ready for disaster because to the microbes it's for some reason worth the metabolic cost of hanging on to this one gene just in case the atmosphere changes again.”
Chemosensory Memory and the Ocean's Senses
“Smell is imminent. And now, in this short clip, try to smell the world of the spiny brittle star with your ears.”
Ocean Memory in Literature and Art
“Something in that smell is 80 million years old, and the first to smell of it may have lived where she is now, in the ocean near Japan, where they call her kind awabi.”
Translating the Unseen: Smell to Sound
Jew discusses the collaborative project 'Invisible Kelp Forest from Smell to Sound,' which uses fiction and sonic art to translate chemosensory experiences into sound. The goal is to help humans perceive the ocean through non-visual senses, challenging sensory hierarchies.
“Some ocean microbes have held on to this gene for the previous atmosphere feels almost like the attitude of a prepper, the kind of person ready for disaster because to the microbes it's for some reason worth the metabolic cost of hanging on to this one gene just in case the atmosphere changes again.”
“The ocean covers nearly three-quarters of our planet, and yet we still know less about its depths than we do about the surface of Mars.”
“The ocean not only absorbs excess atmospheric heat, but of course also excess atmospheric carbon, which is gradually making its pH more acidic, an obvious threat to any creature with a shell. But it's also a chemosensory issue.”
Host
Guest
Melody Jew
person
Rebecca Lendl
person
Margaret Cohen
person
Jodi Deming
person
Jacques Cousteau
person
Mandy Suzanne Wong
person
Daniel Cohn
person
Bashkar Sarkar
person
Maurice Halbox
person
Captain Nemo
other
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