"Mother Mary" Director David Lowery
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In this intimate and revealing conversation, director David Lowery discusses the evolution of his new film 'Mother Mary,' a gothic horror musical that began as a simple two-hander dialogue piece but transformed into a maximalist, emotionally charged exploration of artistic identity, friendship, and spiritual longing. Originally conceived during a moment of existential doubt while filming 'The Green Knight' in Ireland, the project grew from a personal crisis into a deeply autobiographical work infused with Catholic symbolism, pop music, and dance. Lowery recounts how the film's vision expanded from a minimalist room drama to a cinematic spectacle featuring songs by Charlie XCX, Jack Antonoff, and FKA Twigs, with Anne Hathaway delivering a transformative performance as a pop star reconnecting with her estranged friend, played by Michaela Cole. The film's surreal, time-defying ghostly presence—realized through practical effects using fabric and choreography—serves as a physical manifestation of emotional and psychic connection, while the climactic concert sequences and a breathtaking haute couture dress designed by Iris van Herpen become symbolic payoffs of the film's central themes. Lowery reflects on the intense, years-long creative process, the importance of restraint, and the joy of making what he calls 'the most me movie' he could possibly make.
Start with simplicity, but let the story evolve organically—what began as a two-hander dialogue piece became a sprawling, emotionally resonant epic.
The film's supernatural elements are not just visual effects but metaphors for emotional and psychic connection, especially between two people who have lost touch.
Music and dance are not just entertainment—they are central to character expression and narrative structure, requiring months of training and collaboration.
The dress designed by Iris van Herpen is not just costume—it’s a sculpture, a symbol, and the visual climax of the entire film.
The final song, 'Spooky Action,' is hidden in plain sight—audiences must be taught how to hear it, making the film itself a participatory experience.
…and 3 more takeaways available in PodZeus
From Doubt to Vision: The Birth of 'Mother Mary'
“I just had one of those moments where... what am I doing? Both creatively, but also you're just thinking about what you've been... I think every movie has some moment where you just are like, this is... an insane thing to be doing right now.”
From Two Actors to a Pop Star: The Evolution of the Script
“The second I decided that first night I started writing it that she was going to be a pop star, I knew that that would ultimately be something that we were going to have to tackle.”
The Music: Crafting a Pop Star from Scratch
“Anne is someone who's like these songs have to reach 220%. And I don't know how to define or quantify that extra 110% that she knew that she could achieve.”
The Ghost: A Physical Manifestation of Emotional Connection
“I wanted to take that energy and render it tangible. For me, that naturally just took the form of a ghost.”
The Concert and the Dress: The Payoff of a Decade of Work
“To me, that dress in the movie are the one in the same to me. And we made the movie to arrive at that dress both on screen but also you can go look at it.”
“To me, that dress in the movie are the one in the same to me. And we made the movie to arrive at that dress both on screen but also you can go look at it.”
“Anne is someone who's like these songs have to reach 220%. And I don't know how to define or quantify that extra 110% that she knew that she could achieve.”
“I just had one of those moments where... what am I doing? Both creatively, but also you're just thinking about what you've been... I think every movie has some moment where you just are like, this is... an insane thing to be doing right now.”
Host
Guest
David Lowery
person
Anne Hathaway
person
Michaela Cole
person
Charlie XCX
person
Jack Antonoff
person
FKA Twigs
person
The Green Knight
media
Iris van Herpen
person
Peter Pan and Wendy
media
A24
organization
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