Horror Hangout Podcast Bonus Episode : Interview with A Hand To Hold Director Philip Clyde-Smith & Writer Eliza Power
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In this special bonus episode of The Horror Hangout, host Andy Conduit Turner interviews directors and writers Eliza Power and Philip Clyde-Smith about their award-winning horror short film 'A Hand to Hold,' which premiered at Fright Fest Glasgow. The film, set in rural Ireland, explores the emotional and psychological toll of caregiving through a supernatural twist: an elderly man remains physically attached to his wife after death, symbolizing the inescapable burden of long-term care. The creators discuss how their personal experiences with aging family members informed the film’s themes of love, resentment, and emotional toxicity. They reflect on the challenges and creative triumphs of independent filmmaking, including low-budget practical effects, unexpected on-set accidents that enhanced the film, and the deep camaraderie among the cast and crew. The conversation also delves into the broader horror landscape, praising the authenticity of practical effects and human imperfection over AI-generated content, while advocating for more emotionally grounded, character-driven horror. The duo reveals plans to expand the short into a feature film, with a strong emphasis on preserving the story’s emotional core and indie spirit. The episode concludes with a heartfelt tribute to their producer Greg and team, and a playful yet insightful final segment where the filmmakers share their go-to horror movie picks for mixed audiences. Phil Clyde-Smith opts for the psychologically rich 'The Babadook,' while Eliza Power chooses the fun, nostalgic 'Fright Night' (1985), highlighting the importance of tradition and shared experience in horror. The episode underscores the power of horror as a genre to explore deeply human truths, especially around relationships, grief, and the hidden costs of love and duty.
Horror can be a powerful vehicle for exploring real emotional and societal issues like caregiving, aging, and relationship toxicity.
Practical effects and human imperfection often create more authentic and emotionally resonant horror than flawless CGI.
Independent filmmaking thrives on constraints, collaboration, and creative problem-solving, leading to unique and memorable results.
The most impactful horror stories are those with a strong human heart and emotional truth beneath the scares.
Films like 'A Hand to Hold' show that even small, low-budget projects can make a big impact when rooted in personal truth and creative passion.
Introduction & Festival Buzz
Host Andy Conduit Turner welcomes Eliza Power and Philip Clyde-Smith to discuss their horror short 'A Hand to Hold,' which premiered at Fright Fest Glasgow. The creators express excitement over the film’s positive reception from horror fans, emphasizing the unique energy of a genre-specific audience.
Origins of Horror & Personal Inspiration
“I've seen it in my family. I've seen it and it's ended recently. But like, it is horror. And I think that's why our horror works because the horrors used to tell that, you know, visualize that control.”
The Making of 'A Hand to Hold'
“Sometimes what you don't expect turns out to be the best thing. That doesn't answer your question, does it? This is what I love about independent filmmaking.”
The Power of Imperfection & Practical Effects
“It's like they're imperfect but they're more scary and real than a CGI skeleton.”
The Future of the Feature & Industry Challenges
Eliza and Phil discuss their plans to expand 'A Hand to Hold' into a full-length feature. They reflect on the difficulties of funding, the need for commercial viability, and the importance of maintaining creative control in an increasingly corporate film landscape.
“I think it's the mistakes because humans are imperfect. Perfect films don't resonate in my opinion like a very flashy Hollywood film doesn't it might do very well as a piece of entertainment but it doesn't resonate completely emotionally because it's too perfect.”
“The principle of how Jaws will arguably one of the greatest Torah films works, right? Exactly. Our imagination is way stronger than any CGI.”
“I've seen it in my family. I've seen it and it's ended recently. But like, it is horror. And I think that's why our horror works because the horrors used to tell that, you know, visualize that control.”
Host
Guests
Eliza Power
person
Philip Clyde-Smith
person
A Hand to Hold
media
Andy Conduit Turner
person
Francis Barber
person
Fright Fest Glasgow
other
Greg
person
Murray MacArthur
person
Fright Night (1985)
media
Shane
person
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