GGACP Rewind: Episode #32: Tom Leopold
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In this episode of Gilbert Gottfried's Amazing Colossal Podcast, host Gilbert Gottfried and co-host Frank Santopadre welcome legendary comedy writer Tom Leopold, known for his work on shows like Seinfeld, Cheers, and Will & Grace. The conversation is a whirlwind of absurd anecdotes, celebrity encounters, and self-deprecating humor, with Leopold recounting his early days as an actor in Miami, his auditions for roles like Fonzie, and his surreal experiences working with icons such as Jerry Lewis, Steve Allen, and Donald O'Connor. A standout moment is Leopold’s story about trying to get George Chakiris to make friendship rings, only to receive massive, impractical medallions instead. The episode is filled with bizarre, often sexually charged stories involving figures like George Maharis, Perfecto Tellez, and even a fictionalized account of James Mason and Marlon Brando. Leopold also shares his deep admiration for classic comedy, his time at the National Lampoon, and his unique perspective on showbiz fame and obscurity. The episode ends with a tribute to George Jessel’s final performance on the Queen Mary, where he famously handed Leopold his Eisenhower jacket. Key takeaways include: embrace the absurdity of life and comedy; never underestimate the power of a good story, even if it has no punchline; the importance of friendship and collaboration in showbiz; and that the most memorable moments often come from the most unexpected, awkward, or bizarre experiences. Leopold’s career is a testament to persistence, humor, and the idea that being 'the comedy writer's comedy writer' is its own kind of success. The overall tone is irreverent, nostalgic, and deeply affectionate toward the golden age of American comedy.
The most impactful stories often have no punchline—just the journey matters.
Friendship and shared absurdity are more valuable than fame or recognition.
Never underestimate the power of a well-timed, ridiculous anecdote to connect with an audience.
Even the most surreal experiences can lead to lasting memories and friendships.
Being 'unemployable' in Hollywood doesn't mean you're not successful—your legacy is in the stories you tell.
…and 3 more takeaways available in PodZeus
Introduction and the Comedy Writer's Comedy Writer
“I'm the comedy writer's comedy writer, which means often imitated, seldom paid.”
The George Chakiris Friendship Ring Saga
“He said, I just make these medallions. So now what are we going to do? Not buy the medallion? So we say, yo, really? You're not going to make? No, I can't make rings.”
The Donald O'Connor Coat Story: A Tale Without a Punchline
“He never mentions the coat again. And I never brought it up. And that's why I can't read.”
Early Acting Days and the Jolson Pantomime Disaster
Leopold recalls his childhood acting class in Miami, where he performed a full Al Jolson pantomime for a room of adults. The moment ends with the director declaring, 'Record pantomime is the lowest form of show business,' a line that still haunts him.
Auditioning for Fonzie and Working with Brando
Leopold shares his near-miss audition for Fonzie, revealing he was up against Henry Winkler and Mickey Dolenz. He also recounts his experience working on the film Child's Play, where he was set to work with Marlon Brando—only to discover Brando had quit the day before.
“He says, take this chair away. Take it away. And we hear this music and it's you're a grand old flag. He stands up and he goes, you're a grand old flag.”
“He said, I just make these medallions. So now what are we going to do? Not buy the medallion? So we say, yo, really? You're not going to make? No, I can't make rings.”
“He never mentions the coat again. And I never brought it up. And that's why I can't read.”
Hosts
Guest
Tom Leopold
person
Gilbert Gottfried
person
Frank Santopadre
person
George Chakiris
person
Donald O'Connor
person
Jerry Lewis
person
Chris Guest
person
Steve Allen
person
George Jessel
person
George Maharis
person
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