673. What Is Money?
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In this episode of Freakonomics Radio, Stephen Dubner explores the creative process behind David Lang's new oratorio, 'Wealth of Nations,' a musical adaptation of Adam Smith's seminal 1776 text. Lang, a Pulitzer Prize-winning composer and Yale professor, explains how he was inspired to transform Smith's dense economic treatise into a living, emotional experience through music. Drawing from Smith’s ideas about trade, labor, and the social function of money, Lang emphasizes money not as a thing of intrinsic value but as a token of human connection and cooperation. He weaves in texts from Frederick Douglass, Eugene V. Debs, Ralph Waldo Emerson, and Edith Wharton, creating a layered narrative that critiques economic inequality while affirming the moral potential of commerce. The episode captures the tension between artistic vision and performance reality, as Lang prepares for the world premiere with the New York Philharmonic, conducted by Gustavo Dudamel. Through rehearsals and conversations, Dubner reveals how Lang’s work challenges the perception of classical music as elitist, instead positioning it as a democratic, communal act of shared meaning. The episode ultimately probes deeper questions about money, humanity, and the role of art in society. Lang’s belief that money is a 'social lubricant' and that art can help us see the world more clearly becomes a central theme. His personal journey—from pre-med student to composer, from punk scene roots to academic leadership—adds emotional depth to his artistic mission. The oratorio, with its blend of historical text, modern music, and communal performance, becomes a living testament to the idea that complex systems like capitalism can be understood not just intellectually, but emotionally. As the premiere approaches, the episode leaves listeners with a sense of anticipation and hope: that art, especially music, can still be a tool for empathy, connection, and reimagining the world.
Money is not inherently valuable—it's a social construct that enables human connection and cooperation.
Art, especially music, can make abstract economic ideas emotionally resonant and accessible to a broad audience.
The creative process is collaborative and iterative; even a 'finished' work is meant to evolve over time.
Classical music can be democratic and inclusive, not just elite or exclusive.
The most powerful art often emerges from personal vulnerability and a desire to connect with others.
…and 3 more takeaways available in PodZeus
The Genesis of a Musical Revolution
“This would be a world premiere conducted by the Venezuelan-born superstar Gustavo Dudamel and the composer was named David Lang.”
From Sheep to Social Construct: Lang's Creative Process
“Money doesn't really represent anything by itself, but it represents the amount of labor that we put into doing something.”
The Emotional Power of Text and Music
“There actually are people who don't have a coat. Those people don't show up in this book. And so I was looking for a text in which I could find someone who is coatless.”
The Democracy of Performance
Lang reflects on the communal nature of music-making, drawing parallels between a football crowd’s collective singing and the rehearsal process. He created 'Crowd Out' to explore how individuals find identity and connection in group experiences, reinforcing his belief in music as a democratic act.
Rehearsal, Risk, and the Living Work
“I tell myself rightly or wrongly that every one of my pieces is going to be played a thousand times.”
“Money is still so much more important than the flesh and blood of childhood.”
“There actually are people who don't have a coat. Those people don't show up in this book.”
“Money doesn't really represent anything by itself, but it represents the amount of labor that we put into doing something.”
Host
Guest
David Lang
person
The Wealth of Nations
book
Adam Smith
person
New York Philharmonic
organization
Gustavo Dudamel
person
Bang on a Can
organization
Eugene V. Debs
person
Lincoln Center
place
Frederick Douglass
person
Handel's Messiah
other
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