Found Sound for May: Max Porter
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In this month's 'Found Sound' episode of *As the Season Turns*, musician and sound artist Alice Boyd presents a poetic and intimate conversation with acclaimed novelist Max Porter in the ancient woodland of Smallcombe Cemetery, Bath. The episode unfolds as a lyrical exploration of landscape, voice, and the interplay between the human and non-human world. Porter reflects on how the natural world—particularly spring—shapes his writing, drawing from personal experiences with his children, his dog Happy, and his deep reverence for the living earth. He shares an early draft of a piece written for the rewilding film *This Wild Land*, narrated by Claire Foy, in which the land itself speaks with a rich, ecstatic voice. The conversation delves into Porter’s creative process—rooted in observation, collaboration, and the editing of raw emotional and sensory impressions—while emphasizing the importance of listening, humility, and the sacredness of the everyday. Themes of grief, rebirth, ecological awareness, and the quiet magic of domestic life weave throughout, culminating in a profound meditation on presence, impermanence, and the deep connections between people, place, and the more-than-human world.
Writing is a collaborative act between author and reader—trust and withholding are powerful tools for deep engagement.
The natural world, especially in spring, is a living archive of cycles, grief, and joy; it demands attentive, loving observation.
Voice in fiction is not about exposition but about capturing essence—what a character *feels* and *is* through rhythm and sound.
The domestic and the fantastical are not separate; they flow into one another, especially in parenting, cooking, and everyday rituals.
Rewilding is not just ecological—it’s a spiritual and creative practice of listening, humility, and reconnection.
Introduction to Found Sound for May
Leah Landerthes introduces the episode, setting the stage for Alice Boyd’s 'Found Sound' series, which captures sonic portraits of people preserving heritage crafts and folk arts. This month’s focus is on Max Porter, the acclaimed novelist, in conversation with Boyd in Bath.
Arrival at Smallcombe Cemetery and the Voice of the Land
Alice Boyd and Max Porter arrive at Smallcombe Cemetery, an ancient woodland in Bath. They discuss the significance of the place, the presence of the dog Happy, and the beginning of Porter’s reflection on landscape and voice. The episode sets a meditative, immersive tone.
The Birth of a Voice: Writing for 'This Wild Land'
“I'm so in love. I'm a distinguished old lady, rewilded, alive, and my heart is a nest.”
The Process of Writing: Collage, Editing, and Voice
Porter discusses his non-linear creative process—drawing from notebooks, existing obsessions, and collaborative inspiration. He emphasizes editing as a form of refinement and how the voice of the land felt already present, even before the beaver collaboration was known.
Landscape, Grief, and the More-Than-Human
“If you're not heartbroken, you're not paying attention—but that amounts to love for me.”
“If you're not heartbroken, you're not paying attention—but that amounts to love for me.”
“I'm so in love. I'm a distinguished old lady, rewilded, alive, and my heart is a nest.”
“What's happened in me? What's happened in the other? What part of me is dying? What part of me is really be born?”
Hosts
Guest
Max Porter
person
Fern
organization
Alice Boyd
person
Happy
other
NEP Wildland
organization
Lanny
book
Claire Foy
person
Grief is the Thing with Feathers
book
Greenery
book
Tape Session
media
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