The First Major Survey of Renaissance Master Raphael Opens at the Met
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This episode of All of It explores the first major U.S. survey of Renaissance master Raphael, titled 'Raphael Sublime Poetry,' currently on display at the Metropolitan Museum of Art through June 28th. Host Alison Stewart interviews curator Carmen Bombach, who shares insights into the eight-year journey to assemble the exhibition, featuring 237 works including 33 paintings, 140 drawings, and tapestries. Bombach emphasizes Raphael’s profound influence, his connection to Urbino, and how his art offered an aspirational, poetic ideal amid the turmoil of 16th-century Italy. The exhibit highlights Raphael’s mastery in portraiture, where he elevated his sitters with elegance and subtle flattery, as well as his disciplined drawing process that revealed the hard-won perfection behind his seamless compositions. Bombach also discusses Raphael’s complex relationships with contemporaries like Michelangelo and Leonardo da Vinci, portraying him as a brilliant synthesizer who absorbed and transcended their styles. The episode closes with a poetic interlude from Maggie Smith’s The Slowdown, reinforcing the theme of mindfulness and reflection. Key takeaways include: Raphael’s art created a transcendent, idealized world that countered the violence and mortality of his era; his portraits were not just likenesses but aspirational ideals of beauty and dignity; his drawings reveal a meticulous, iterative process behind his seemingly effortless perfection; Raphael’s success was fueled by both genius and strategic networking through his Urbino roots; and the exhibition’s fragility means it will only be seen at the Met, making it a once-in-a-lifetime experience. The overall tone is reverent, awe-inspired, and deeply appreciative of art’s power to elevate the human spirit.
Raphael’s art offered a transcendent, idealized world that countered the violence and mortality of 16th-century Italy.
His portraits were not just likenesses but aspirational ideals of beauty, dignity, and elegance.
His drawings reveal a meticulous, iterative process behind his seemingly effortless perfection.
Raphael’s success was fueled by both genius and strategic networking through his Urbino roots.
The exhibition’s fragility means it will only be seen at the Met, making it a once-in-a-lifetime experience.
…and 3 more takeaways available in PodZeus
Introduction and Show Overview
Host Alison Stewart introduces the episode, outlining upcoming segments including a discussion with actor Chase Infinity, a talk on corporate thrillers with Clyde Foley, and a celebration of National Poetry Month with poet Carol Claire Burke.
Raphael’s Legacy and the Met Exhibit
The episode launches into the story of Raphael, born and died on April 6th, with a focus on the first major U.S. exhibition of his work at the Met, titled 'Raphael Sublime Poetry,' open through June 28th.
Curator Carmen Bombach on the Exhibition’s Impact
“I think in the end, that's probably the reaction I would want to most have, a sense that they've gone on this journey looking at the artist's work, but also getting a bit of the identity of the artist as well.”
Why This Exhibition Took So Long
“The drawings cannot be exhibited for more than, say, four months at the most, five months at the most. So really the Met could only be the single venue of this exhibition.”
Raphael’s Roots in Urbino and His Political Network
“Raphael signed himself until the end of his life as a Raphael of Urbino, Raffaello Urbinas. And so in that sense, yes.”
“I think in the end, that's probably the reaction I would want to most have, a sense that they've gone on this journey looking at the artist's work, but also getting a bit of the identity of the artist as well.”
“Michelangelo basically is the artist of the difficulty, the expressive anatomical contortions of the figure and all this. And there is, of course, a spiritual beauty in all this. But what is extraordinary about Raphael is that harmony and that sense of elegance...”
“Raphael sneaks into the Sistine Chapel to learn what Michelangelo was doing, and instantly he absorbs it and then incorporates it and then sort of takes off.”
Host
Guests
Raphael
person
Carmen Bombach
person
Metropolitan Museum of Art
organization
Michelangelo
person
Urbino
place
Leonardo da Vinci
person
Baldassare Castiglione
person
Giovanni Santi
person
Pope Leo X
person
Federico da Montefeltro
person
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