Subway Series: West Fourth Trio Plays Live in Studio 5
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This episode of All of It on WNYC features the West Fourth Trio—Alex Feldman on drums, Billy Edwards on bass, and Danny Raycraft on tenor sax—performing live in Studio 5 as part of a series spotlighting musicians in the MTA Music Program. The trio shares their journey from subway and park performances to building a cohesive group through shared experiences and mentorship, including connections with legendary figures like Uros Markovich and Ben Frank. They reflect on the challenges and rewards of busking in New York City, emphasizing the importance of persistence, adaptability, and the unique energy of playing for transient audiences. The conversation delves into the cultural significance of jazz in public spaces, the emotional and artistic highs of 'touching the electricity' during a performance, and the vital role busking plays in sustaining musicians’ livelihoods and craft in a competitive city. The episode closes with a final performance of Wayne Shorter’s 'Night Dreamer,' underscoring the trio’s deep connection to their music and audience.
Busking in New York City is a vital part of the music ecosystem, offering consistent performance opportunities and income for working musicians.
Playing in public spaces like subways and parks builds resilience, focus, and musical intuition through constant exposure and pressure.
The MTA Music Program provides essential support for musicians during colder months when outdoor performances become impractical.
Musical magic often emerges unexpectedly—'touching the electricity'—after sustained dedication and presence.
Community and mentorship are central to the trio’s formation and success, with connections forged through shared gigs and mutual respect.
…and 3 more takeaways available in PodZeus
Introduction to the West Fourth Trio and the MTA Music Program
“We're just doing our thing, and if you like it, you can check it out. And if not, you know... Don't worry about it.”
Origins and Mentorship in the NYC Busking Scene
The musicians recount how they met through a chain of connections—Danny introducing Billy to Uros Markovich, who then brought in Alex. They describe their early experiences in Washington Square Park and the intense, immersive nature of 'Busking Boot Camp' with veteran drummers.
The Art and Reality of Playing in the Subway vs. the Park
“When nobody's there, you can hear the bass. It's kind of awesome.”
The Intangible Magic of Live Performance
“It's like kind of this intangible thing that like – That's the second time someone used woo-woo on this show today. Oh, okay. It's just woo-woo in the air, I guess.”
The Vital Role of Busking in NYC’s Music Ecosystem
The trio asserts that busking is essential for survival and growth in New York’s tight music scene. They discuss how it allows them to hone their craft, earn income, and maintain their passion despite limited club opportunities. The episode closes with a final performance of 'Night Dreamer'.
“It's like kind of this intangible thing that like – That's the second time someone used woo-woo on this show today. Oh, okay. It's just woo-woo in the air, I guess.”
“It's like you put in all the time and then sometimes the magic comes. And you can never control it.”
“When nobody's there, you can hear the bass. It's kind of awesome.”
Host
Guests
Alex Feldman
person
Billy Edwards
person
West Fourth Trio
other
Danny Raycraft
person
MTA Music Program
organization
WNYC
organization
Alison Stewart
person
Uros Markovich
person
Central Park
place
Washington Square Park
place
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